poetry | Michael Valliant

On Being Human

Loneliness hits us all. So do suffering, loss, and pain. Hopefully so do joy, wonder, and love. But it’s easy to feel like we’re on an island. And then something happens, when maybe just for a moment, we find a connection. Someone says something or we read something and it washes over us–someone else feels that way, or ‘yes, that’s it–that’s the feeling!’ or ‘I can’t believe someone else thinks that!’

So often it’s language that connects us. It gives words to our feelings, our thoughts, our pain, our joy, our curiosity. If you are like me, that’s a feeling I get from reading, and from some writers and poets more than others.

I knew what my first tattoo was going to be the first day we studied William Blake in Dr. Gillin’s British Romanticism class at Washington College. I was 24 years old and we were discussing Blake’s poem, “The Marriage of Heaven and Hell.” It’s a big, unwieldy, hard to get your head around, free form puzzle on first glance and I remember thinking that I didn’t know you could do that in poetry. This morning, looking over different sections of “Proverbs of Hell,” I got that awestruck feeling all over again. Here are some dropped in at random:

The road of excess leads to the palace of wisdom.
Eternity is in love with the productions of time.
If the fool would persist in his folly he would become wise.
Excess of sorrow laughs. Excess of joy weeps.
The bird a nest, the spider a web, man friendship.
What is now proved was once only imagined.

They are like hand grenades that go off in your mind. He changed what I thought you could do with writing. He spoke things that I hadn’t yet found words for. And now I carry around his engraving “The Ancient of Days” (at the top of the page) on my left shoulder. I remember Dr. Gillin talking about the art saying it was God creating order in the universe.

In that same class we encountered William Wordsworth. And he is a poet who wrote about connected to nature and wonder the way I felt and thought about them. I can’t tell you how many times I have read, quoted, and contemplated his poem “Lines Composed a Few Miles Above Tintern Abbey.”

This past fall I had coffee with friend and mentor John Miller. John has been a long-time instructor at Chesapeake Forum, dating back to when it began as “The Academy for Lifelong Learning” at the Chesapeake Bay Maritime Museum, where we worked together.

John and I have gotten together for coffee and to talk literature and life over the past couple years, including talking about the passing and great memories of our friend, former co-worker, and John’s co-leader in countless literature classes, John Ford.

As we sat outside along the street in September, John Miller had something on his mind. He started reading aloud from John Milton’s elegy “Lycidas,” in which Milton mourns the drowning of a friend, class mate, and fellow poet and wonders about his own mortality and if our struggle is all worth it.

And the thing we kept coming back to was the way language, the way poetry, can give voice to all the things we feel and think and encounter in this business of being human. The power of language to help us get our heads and hearts around being human.

And Blake and Wordsworth were two other poets who came up in the discussion. And we went back and forth over e-mail and phone calls and what we have coming up over three Zoom sessions on Thursdays, January 27, February 3 and 10, from 10:00 to 11:30am is Milton, Blake and Wordsworth: On Being Human.

This is not an academic study of poetry. This is a look at how poetry can give us the words to help us connect to each other; to help us make some kind of sense of what it is to live a life, to grieve, to see into the heart of things; to connect to God through nature.

I go back to a line that Robin Williams delivers as John Keating, the English teacher in Dead Poets Society:

“We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.”

I have held that notion to be exactly so and tried to live my life, at least in part, along those lines.

And that’s the spirit we will approach Milton, Blake and Wordsworth with, as we discuss what it is to be human, and how language and poetry can connect us.

Adding it all up

I’m not sure there is a math to moments. You can’t sum up your life or your heart with an equation, nor can you quantify those days that you feel like give you some semblance of why you are here.

I’ve had a habit of sitting on the deck and writing with coffee for a number of years now. There was the time that Anna, also an early riser, came out and asked if she could sit and write with me.

There was the time I was on my way out the front door for an early run, when Anna came down the steps asking if she could come too. We grabbed her bike, my longboard, the dog, and drove to St. Michaels Rails to Trails.

There was the time I won Wilco tickets and Anna, not really knowing who Wilco was, asked if she could go with me, and it became her first concert experience. All the leaf piles raked just so the girls could jump into them. Turning the back of the truck into a play room on a sunny day. Digging for sand crabs on any beach trip. Any time I have gotten anything about being a father remotely close to right, it has been the times when I didn’t let a moment pass us by; the times when I showed up, leaned in, and we created memories together. Any parent who hasn’t learned a huge lesson from listening to Harry Chapin’s “Cat’s in the Cradle,” should go listen to it right now. We don’t get that time, or those times, back.

When I look back on all the best moments in my life, almost none of them have been about me; there is almost always a “we” or an “us.” And so many of them have been about Anna and Ava.

Yesterday, May 13, Anna graduated from Easton High School, the same high school I graduated from 29 years earlier. Her graduation ceremony was co-opted by a pandemic, which also took the entire spring of her senior year. Honestly, the graduation ceremony for the Class of 2020 was maybe more special for being unique and because of the care of so many people who organized it.

Yesterday morning, before the girls were up, I read Jim Harrison’s poem, “Adding It Up.” He’s looking for a rubric, or some way to summarize his life.

“…two daughters, eight dogs,
I can’t name all that cats and horses, a farm
for thirty-five years, then Montana, a cabin,
a border casita, two grandsons, two sons-in-law,
and graced by the sun and the moon, red wine
and garlic, lakes and rivers, the millions of trees.”

His mind is already wandering from things that can be quantified–it’s a flawed math. And then he goes further into experiences which don’t fit equations at all. He talks about a hiding place underneath a huge stump, through which…

“I’ve watched the passing legs of sandhill cranes,
napping where countless bears have napped,
an aperture above where the sky and the gods
may enter, yet I’m without the courage to watch
the full moon through this space. I can’t figure
out a life.”

He finds and enters into a sacred space, where he has to pause, unsure. And that’s what parenthood, at it’s best, can do–create sacred spaces through which we watch our children grow and accomplish things, while also falling, failing, and getting hurt.

And I have to pause, unsure.

And all of those moments, every one of them, come together in a moment like graduating from high school; walking through that particular gateway that opens up the next part of life, and the world.

Fatherhood and church have both made me soft. But it’s a soft-heartedness I will take. When my father sends a card he’s written a note in to Anna; when her mom makes a photo memory board of so many of Anna’s friends and experiences through her 18 years; when her sister Ava–who doesn’t cry–gets teary before a photo; when my sister and her kids show up and turn the front yard into party central and have an impromptu social distancing back yard graduation picnic. It all makes my heart overfull and trips me up. But tripping on those moments helps me recognize them.

These are Anna’s moments, not mine. She drives them. But I get to be a part of them. When I think of what yesterday meant, what it means, through Anna’s struggles and accomplishments, which we watch as parents, but can’t fix or do ourselves; when I realize how little words can actually do or say about the biggest moments our hearts experience; I maybe get a glimpse of the things my parents watched and were a part of for my sister and me; and I can tell you how much more Anna’s graduation means to me than my own.

Quarantine All-stars

I’ve come to realize that living life in quarantine isn’t that much different than my daily life. Less nature than I would like, and my work schedule may actually be busier working from home, but on the whole I dig being at home. In the case of the Coronavirus and everyone being home, and teenage girls having to change their mindset; and just the general mental and emotional uneasiness of a global pandemic, there is something different afoot.

When we look back, everyone will have different things that buoyed them, or helped them re-acclimate, helped them connect. So I thought I’d look at some of my quarantine all-stars to date.

You can’t overstate the importance of music. I concur with Friedrich Nietzsche when he wrote, “Without music, life would be a mistake,” and Kurt Vonnegut who said his epitaph could say, “The only proof he needed for the existence of God was music.”

I am a fan of Nathaniel Rateliff and the Night Sweats. I’ve dug hearing them on 103.1 WRNR. Hearing the title track from his new solo album, “And It’s Still Alright” on the radio, I’ve always let it play. Then multiple people started weighing in with how good the whole album is. Rateliff started writing the album at the unraveling of his marriage and later had to get through the death of a close friend. From his website, talking about the album, and how he worked through what the album wanted to be:

“out of his restless subconscious, helping him address some big life questions — the ones that have stumped philosophers, statesmen and profound thinkers since time began, exploring the unsteady terrain of love and death. But in the end, what he really was doing was creating an homage to his friend.”

It’s an album about questions; it’s an album about getting through things; it’s an album with lines that stick in my head, such as, “If the world goes strange, its dying flames / Would light the end of the last morning.”

Questlove, live from his house, paying tribute to Bill Withers.

A different take on quarantine soundtrack has come from Questlove of the Roots. With the band staying home, Questlove has been holding DJ sessions from his house, raising money for different causes, and paying tribute to eras of music, with his Native Tongues Review, and to Bill Withers who just died, with Bill Still. I am telling you, if you want to put something on in your house and let it play for a couple hours, Native Tongues brings back an era of hip hop with A Tribe Called Quest, De La Soul, the Jungle Brothers, you name it, some formative bands, and just blending it altogether. And Bill Withers, man, the whole session is just smooth and flowing and feels good.

I’m used to Questlove being the drummer and front man for one of my favorite bands. He’s written books and been featured in great articles, and this social media scholar and DJ is just another aspect of a guy who carries the cool banner for this, and other eras.

From music to movies. I’ve watched Rian Johnson’s “Knives Out,” multiple times now. I didn’t catch it in the theaters, so one night I kicked back and pulled it up at home. And I knew I needed to check it out again. So a few nights ago, I pulled my daughters into the next screening. Both girls loved it, Anna (18) said it was the best movie she’d seen in a long time, and maybe one of her favorites. It’s a great whodunnit-typed movie; it’s got James Bond (Daniel Craig) and Captain America (Chris Evans), who play roles nothing like their famous characters; and as someone who likes to figure movies out, even when halfway through the movie you think you know everything, you don’t. Not even close.

Screens certainly dominate media these days. And I am psyched that “Cheers” is now on Netflix; “The Office” is a constant connection, time-filler, and connector between the girls and I, who quote it back and forth frequently; and I have them part-way through the series “Lost,” which was a favorite show of mine while it was on TV.

You know I have to finish with books. We have had substantial reading going with work–studies of John’s Gospel, which started last October, a quick devotional through Matthew’s Gospel for Lent, and looking for our next online classes–but in this case, I am looking at the just for fun reading.

On the graphic novel front, Kieron Gillen’s “Once and Future” plays King Arthur’s legend into our modern world, which is a trippy, mythical, re-imaging as a kind of ghost story. I ate Arthurian legend stuff up growing up (named our Golden Retriever “Morgan” after King Arthur’s sister when I was nine) and Gillen has become a writer who I try to read about everything I can from. Christian Ward is known as an artist, but is trying his hand at writing and in Machine Gun Wizards, he looks at Eliot Ness and prohibition, but if prohibition was outlawing magic, not booze. And what can I say about Neil Gaiman’s “Sandman,” which was cited as one of the 100 best books (not graphic novels, books) of the century. It bears reading and re-reading. And since a friend and I are currently taking Gaiman’s masterclass on storytelling, this seemed like a great time to dig back into the world of dream and open my imagination.

I’m 180-something pages into Emily St. John Mandel’s “Station Eleven,” which we will be doing an online/Zoom book club for in the very near future. I am having a lot of fun with it. It’s set after the collapse of civilization due to a global pandemic virus. This is one of the blurbs that pulled me in:

“An audacious, darkly glittering novel set in the eerie days of civilization’s collapse, Station Eleven tells the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity.”

A motto of one of the main characters is “Survival is insufficient.”

Sometimes when we enter new territory, it’s not novelty we need, but familiarity. We need something to ground us and help us get our footing. I’ve written a lot about Jim Harrison, who I consider one of the writers to have the biggest impact on me, both through his writing, his persona, and how he lived his life. And despite having written numerous great novels, novellas, and short stories, it’s often his poetry that I end up keeping nearby.

I was reminded recently of Harrison’s poem, “I believe.” He lists things he believes in, which include: steep drop-offs, empty swimming pools, the overgrown path to the lake, abandoned farmhouses, gravel roads that end, leaky wooden boats…”

You know what? I’ll let you read it for yourself, noting that the poem ends with “struggling to stay alive in a world that grinds them underfoot.” Let me just say that music, movies, books–these thinks aren’t just diversions that distract us from what’s going on in the world; instead, they are connection, connecting us to the artists, connecting us to something bigger than ourselves; connecting us to each other through music, art, and stories; and in the process of creation, connecting us to God.

I hope my daughters figure out time travel

Empty parking lot off Idlewild Avenue. Parking curbs. Concrete. Asphalt. No people, so I pull out my time machine, step on, and the sound of polyurethane on pavement spins back decades. The sound, the vibration under foot, the feeling of cruising carelessly, for no reason except that it’s fun.

What are the things you do regardless of what anyone else thinks? Things you can’t wait to do, that bring you happiness, just by doing them.

Rolling up to a curb, I sit down with a pen, notebook, Mary Oliver’s “Thirst.” I look up.

“Clouds are not only vapor, but shape, mobility, silky sacks of nourishing rain. The pear orchard is not only profit, but a paradise of light. The luna moth, who lives but a few days, sometimes only a few hours, has a pale green wing whose rim is like a musical notation. Have you noticed?”

When Mary O. asks you a question, you do well to consider it. Do I take the time to notice what goes on around me? Really notice? There are everyday miracles, right here on Idlewild Avenue in an empty parking lot on a Sunday afternoon.

Those things that you do for you–how did you figure out what they were? And how long have you been doing them?

When I think back, some of the things I most love doing today, I started in my early teenage years: comic books, skateboarding, writing, reading, running, being on the water, just being outside. And it’s some form of those things that still fill me up a few decades later. Those things maybe as close to time travel as I will get. They connect me to past and future versions of myself. They mark a moment in time, but revisiting them, they create moments outside of time.

I don’t know if my daughters will figure out time travel. I hope they do. I hope they walk the same beaches (and new ones) over decades, and remember when their feet were smaller, their minds saw more colors, and there were fewer distractions. I hope they remember, connect, and see outside of time.

I land in the parking lot again. It’s not supposed to feel this warm in February. The day is a gift. I can hear life in the back yards of Aurora Street. If I get quiet enough I can hear the universe.

“He or she, who loves God, will look most deeply into His works.”
Mary Oliver

Maybe that’s it. We don’t need to stay at the surface. If we look deeper, we can lose ourselves. We find ourselves connected; to our past through memory; to our future through hope; to each other through God, who is Love.

A few small stones

Most of us won’t get to everything on our bucket lists. There’s a good chance we won’t accomplish everything we hope to do in life. And some of that could be on us, but there are plenty of factors beyond our control. Does it make our lives less than?

Mary Oliver’s poem, “Praying” found me this week:

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch
a few words together and don’t try
to make them elaborate, this isn’t
a contest, but the doorway
Into thanks, and a silence in which
another voice may speak.

Maybe we spend too much time waiting for the blue iris–the extraordinary to show up, when we could make more out of a few small stones.

Don’t get me wrong–I want to savor the blue iris moments when I have them, if I have them, but not at the cost of the stones all around me. Those moments, the ones we have right now, are all we know we will get.

Two friends have died in the past few weeks, unrelated to each other. Their deaths were unexpected and tragic and they left behind kids and families. I’m sure each had more they wanted to do, to say, decisions they’d love a do-over for. But when I think of each of them, I smile for how they made me feel; for each of their smiles; their stories; the way they approached each day during the time that I knew them.

We remember how people made us feel. I know I need to be more conscious of that. We remember the time we shared with someone, the stories we told. What I know of Chris and Mike is a small section of their lives, but an intersection I am grateful for. Each of them gave me a gift in knowing them and I am glad Christ Church Easton’s Alive @ 5 service connected and/or reconnected us.

As I think about friends dying, we are reading Chapter 11 in our study of John’s Gospel, which is where Jesus raises Lazarus from the dead. There is a scene where Mary, Lazarus’s sister comes out to see Jesus as he has arrived.

“When Mary came to where Jesus was and saw him, she knelt at his feet and said to him, ‘Lord, if you had been here, my brother would not have died.’ When Jesus saw her weeping, and the Jews who came with her also weeping, he was greatly disturbed and deeply moved. He said, ‘Where have you laid him?’ They said to him, ‘Lord, come and see.’ Jesus began to weep.” (John 11:32-35)

It’s a profound thing that Jesus weeps with us in our grief. Jesus knows that he is about to raise Lazarus, that things will be okay in the long run, but he cries with his friends in their shared grief. As we are reading John, we are using N.T. Wright’s commentary in “John for Everyone.” Wright talks about this moment of grief like this:

“It’s one of the most remarkable moments in the whole gospel story… Throughout the gospel, John is telling us… that when we look at Jesus, not least when we look at Jesus in tears, we are seeing not just a flesh-and-blood human being, but the Word made flesh. The Word, through whom the worlds were made, weeps like a baby at the grave of his friend. Only when we stop and ponder this will we understand the full mystery of John’s gospel. Only when we put away our high and dry pictures of who God is and replace them with pictures in which the Word who is God can cry with the world’s crying will we discover what the word ‘God’ really means.”

God is the creator of the Universe. He’s larger than life, the spinner of the cosmos, author of the Mystery, beyond comprehension. And at the same time, He becomes human and cries with his friends. And that is a part of who God is. And it is a way we can get to know Him and draw closer to Him.

In the raising of Lazarus–John doesn’t tell us it was because Lazarus had so much more to do with his life, he doesn’t tell us what he had done up to that point or what he goes and does after–that’s not the point. God just does it. As with so many stories in the Gospels, it’s a story of hope. And hope comes in so many ways at so many different, and unexpected times.

We don’t all get Lazarus moments that we can see in this life. Not all our outcomes are how we want them, nor are we on our time. But we can find hope.

And we aren’t guaranteed blue iris moments. But we are given this moment and a few small stones. And we can build something with them, in this life, with those around us, right now. If we are lucky, those moments, those few small stones we share with those we meet, maybe, as Mary Oliver says, they can be “the doorway into thanks, and a silence in which another voice may speak.”

Need & Seek

Jesus digs questions. He likes to ask them to us and I think he likes us to ask them of ourselves. Rev. Daniel Groody points out that in the four Gospels, Jesus is asked 183 questions, only directly answering three. On the other hand, he asks 307 questions.

Groody put together a devotional booklet, “Daily Reflections for Advent & Christmas: Waiting in Joyful Hope 2019-2020.” He suggests daily Scripture readings and then provides reflection, meditation, and a prayer. It’s a cool and meaningful way to guide us through Advent. A perfect coffee companion in the mornings.

Groody quotes Martin Copenhaver and then adds something of his own:

“‘Jesus is not the ultimate Answer Man, but more like the Great Questioner.’ And through these questions Jesus holds a lantern to our hearts.”

In studying and discussing the Gospels and reading commentary, one of the first things to become clear is that God, through Christ, is after our hearts, first and foremost. Everything else follows. Our hearts function best when they are full of joy, wonder, and they/we are after the right things. Groody goes on to say, “Answers can foreclose new discoveries, but questions open up new possibilities.”

Both Jesus and Groody are speaking my language. In 47 years, I have more questions and fewer answers than ever. But also more than ever, I’ve come to love the questions, the seeking in and of itself. It (the seeking) gets me up in the morning, sends me into Scripture, sends me into nature, connects me to people, and opens me up to wonder and mystery.

Groody quotes theologian Bernard Lonegran, who said, “There are two kinds of people in the world: those who need certainty and those who seek understanding.” I’m not big on anyone who tries to reduce the world to two kinds of people, but I like the distinction between needing certainty and seeking understanding. Probably there is a bit of both in each of us.

In his book, “Riprap & Cold Mountain Poems,” Gary Snyder writes:

The mind wanders. A million
Summers, night air still and the rocks
Warm. Sky over endless mountains.
All the junk that goes with being human
Drops away, hard rock wavers
…
A clear, attentive mind
Has no meaning but that
Which sees is truly seen.

Gary Snyder, still seeking. Photo by John Suiter. Great audio and photo essay over at Poetry Foundation.

Snyder strikes me as a seeker, not of certainty, but of experience, wonder, beauty, and understanding. Discovery is not about certainty.

Advent is a time of waiting, of staying awake, of readying ourselves. It’s a time of hope, and just finishing a study of Brene Brown’s book, “Daring Greatly,” she points out that we can’t know hope without struggle.

Part of our struggle as people, is the need to know for sure, the need to be certain–and yet, certainty precludes faith and mystery.

So on a gray, sleety, rainy Monday morning, I am going to sit in the questions, take a cue from Groody, and try to stay open to new discoveries.

Nothing gold can stay

“Nature’s first green is gold, / Her hardest hue to hold.”

Robert Frost might have had a magnolia tree in his front yard. I’ve never seen anything like it. Over the past week, it’s been in different phases of bloom and I just go out and stand underneath it in complete awe. It will only last a week or two, but man, what a week.

“Her early leaf’s a flower; / But only for an hour.”

Spring is a time for rebirth, for taking root and for growth. But within that, there is also the notion that it doesn’t last, like the magnolia tree in bloom, so appreciate it while it’s here. Be present. Feel the growth. Take the moment.

W.S. Merwin in Hawaii at the Merwin Conservancy. Image from Stefan Schaefer.

W.S. Merwin, one of the brightest shining, most brilliant, and most venerable American poets died recently. I met him briefly in Washington, DC, after hearing him read. I’d made it a point to catch him after work when I worked in the city. He was one of the voices; one of the lives worth emulating, or using as a model to find your own.

In a great New Yorker article, Casey Cep writes about Merwin’s writing and his effort to preserve Hawaiian landscape, “The palm forest, like Merwin’s poetry, has become a kind of prophetic stance against contemporary life: bearing witness to individual, almost foolish acts of creativity while devastation abounds.” We do what we can in the time that we have.

Sometimes I can connect the dots, sometimes I lose the picture. My reading list of late has included large parts of Luke’s Gospel, Henri Nouwen’s “Return of the Prodigal Son,” and legendary and/or mind-bending graphic novels, including Brian Michael Bendis and Alex Maleev’s “Daredevil” run, Donny Cates’ “God Country,” and Jonathan Hickman’s “Fantastic Four.” I’ve never read Hickman, who is known for his epic story arcs for Marvel Comics. Marvel announced this past week that he is set to take over the X-Men this summer.

I’ve been thinking about the Faust/Faustus storyline a lot lately, where to gain unlimited knowledge, the seeker sells their soul to the devil. It has to deal with hubris, excessive pride, and pushing beyond the limits of where we should go. And Hickman plays that exact storyline out with Reed Richards in his Fantastic Four story. But when faced with the decision either come up with the answer to everything, to save the universe and feed his ego flashing his brilliance, or to be human, be with his family, Richards thinks back to the words of his father.

“All of my hopes and desires rest in you becoming what I am not. When you grow up, I expect more. Son, I expect better. I want you to be a better friend than I was. Be a better husband. Be a better father. Be a better man.”

Father-son, father-daughter messages hit me straight in the heart. And it makes me reflect on the prodigal son story, and how the father wants his sons to know his love, no matter what they’ve done. And that’s big.

For Lent this year, Fr. Bill Ortt at Christ Church Easton, has given out prayer stones during worship services. There are 11 different words and you choose without looking: love, peace, believe, remember, listen, forgive, hope, pray, heal, follow, grace. The idea is to use your word as a mantra during Lent. And to look up Scripture for your word that you connect with, and pray, reflect, and meditate on it for the season.

My stone is love. It’s not the one I expected or the one I would have picked. But it’s the one I needed. It’s what I need to remember and to focus on. I picked two verses.

John 13.34-35
I give you a new commandment, that you love one another. Just as I have loved you, you also should love one another. By this everyone will know that you are my disciples, if you have love for one another.’

And

Corinthians 13:4-8
Love is patient; love is kind; love is not envious or boastful or arrogant or rude. It does not insist on its own way; it is not irritable or resentful; it does not rejoice in wrongdoing, but rejoices in the truth. It bears all things, believes all things, hopes all things, endures all things.
Love never ends.

Those are big for me. Because it is easy for me to look past, to get too busy, to be in my head or deep in thought too often.

Finishing up Robert Frost’s poem:

Then leaf subsides to leaf. / So Eden sank to grief, / So dawn goes down to day. /  Nothing gold can stay.

Nothing gold can stay. And that’s true for spring. It’s true for knowledge and accomplishments. It’s true for the world. It’s true for almost everything we see around us.

But not for God. And not for love. “Love never ends.”

Of sleeves & cave walls

My mind is dancing, fickle like fire. It won’t stand still–it jumps, flicks tongues, wall rides, scattering darkness, but dives back down before illuminating. Can’t see what’s there.

I’m sitting in a cave. It’s me, the fire, others in the cave. The girls, probably wondering what we’re doing in a cave…

Can’t make out the cave walls. There are shadows. I need to stoke the fire. With what? Drugs bring smoke but no additional light. They are not the stoke. Prayer. Adventure. Creativity. Nature. God.

tucked up in clefts in the cliffs
growing strict fields of corn and beans
sinking deeper and deeper in the earth
up to your hips in Gods
your head all turned to eagle-down
& lightning for knees and elbows
your eyes full of pollen
the smell of bats
the flavor of sandstone
grit on the tongue.
women
birthing
at the food of ladders in the dark.

Gary Snyder chants. The flames dance higher. Figures on the wall…

Art. Poetry. Drawings. The child, surrounded by nature, is the one connected to the Universe… “whoever does not receive the kingdom of God as a little child will never enter it.” (Luke 18:17)… childhood wonder in the eyes of a child. I know these drawings. I’ve seen them. I’ve written about them, read about them. Snyder’s book “Turtle Island” is never far from my backpack.

Caves. Fire. Shelter. Food. Primal elements. Fire meant food, community. It still does. Fire pulls the tribe together. It is conversation, happy hour, camping, return from a trail run to crack a beer, sip soup and share stories. Fire lets us see in the dark.

The cave has more. Skateboarding. Future Primitive. A love that began at 13 and has continued through today at 46 and tomorrow at whatever age. The figures on the wall look like this…

Lance Mountain. The figures are also running. Tribal. More of the cave, the walls are showing now. Scenes, images, symbols from my life. The girls. Birds. A cross. Fish. Notebook and pen. Passions. Shared experiences. Spelled out on the walls of the cave. Plato would be pleased.

I get up and walk to further parts of the cave. The walls are bare. They are uncovered. Unwritten. Still to be written. The writing is from life. From love. From experience. What is the rest of the story? What symbols? What art?

What becomes paintings on the cave walls begins as dreams. Neil Gaiman knows dreams. He has written Dream’s story in epic and graphic fashion. He begins “The Sandman, Vol. 6: Fables & Reflections” with an artist, a playwright and director who is afraid of heights. In his dreams, he fears falling. He believes there are two possible outcomes to falling in a dream: either you wake up, or you die. No good outcome.

And the artist, the dreamer, finds himself in a dream, climbing. At the top of the mountain, he meets Dream. Dream points out that there is a third alternative. “Sometimes when you fall, you fly.”

The most unlikely scenario. It flies in the face of common sense. But we aren’t talking sense. We are talking dreams. Why would anything sensical wind up as a cave painting?

* Originally written and published on December 10, 2014, with some revisions now.

Everyday People, Everyday Grace

give me
the daily
struggle,
because these things are my song,
and so we will go together
shoulder to shoulder
– Pablo Neruda, “Invisible Man”

Neruda saw the universe in an artichoke, birds, tomatoes, socks, seaweed, and stamps. And in the people he encountered everyday: a bricklayer, a woman gardening, or a couple on the street.

My first double-take at Neruda was in the late 1990s, out of college, trying to figure out what should occupy my thoughts, where life was going to go, how to put things together. Funny, I’m still wondering those same things. A friend brought “Elemental Odes” around and Neruda takes the time to look at the everyday world around us, to really look at it, and see deeply into it. He elevates the humble. Everything is full of stories and we are connected to all of them. In the same poem, “Invisible Man,” he feels everything around him:

but I smile,
because when I walk through the streets
… life flows around me
like rivers

When my head gets stuck in the clouds, I often turn to Neruda’s odes as a way to reconnect. Sipping coffee in the morning, listening to birds in the yard, watching the dog bum-rush the bird feeder, or being in a church full of 700 people–pouring out into the parish hall and under a tent, rain coming down–brought together by the love of one person who connected us all. Each of these things, from the simple, to the profound can be an act of everyday grace, connecting everyday people, if we choose to look at them that way.

I know “Everyday People” is a Sly and the Family Stone song, but the version I hear in my head with that phrase is the Arrested Development hip hop version, “People Everyday.”

We are all people everyday and that’s what we’ve got to work with. Through struggle, uncertainty, celebration, and joy, we get up and we go. Anything we are going to come to know, we are only going to find through our everyday lives. When we find and feel grace in those moments, we find something more. I dig what Anne Lamott has to say about grace in “Traveling Mercies:”

“It’s unearned love–the love that goes before, that greets us on the way. It’s the help you receive when you have no bright ideas left, when you are empty and desperate and have discovered that your best thinking and most charming charm have failed you. Grace is the light or electricity or juice or breeze that takes you from that isolated place and puts you with others who are as startled and embarrassed and eventually as grateful as you are to be there.”

I wake up, let the dog out, put coffee on. I walk through the yard, hearing traffic from the highway, I look at the tomatoes growing, and I sit down to read, to pray, to remember, to be grateful. And I hope to find, to connect with, to be everyday people living into everyday grace.

Show Me How to Live

Our senses are gateways to the world. What we see, hear, smell, touch, taste give us our world, in part. And our senses have memories.

Walking the dog the other morning, I was overwhelmed by the smell of honeysuckle. It transported me back to being a kid, building forts in the marsh, sections of which were absolutely and wonderfully overgrown with it. The smell of steamed crabs has the same effect.

The feel of cut grass under bare feet, or hot sand, or gravel under toughened summer feet. The first time my daughters’ newborn hands wrapped around my finger.

Our senses cue up a lifetime of memories in our mind’s eye and in our souls.

And there is music. Our lives have a soundtrack. Mine is different from anyone else’s, though certainly we share songs and groups with others. Anyone who rode in my car during high school heard their share of the Beastie Boys “Paul’s Boutique,” The Specials, Public Enemy, The Clash, and Metallica.

Getting to North Carolina for college, it was meeting Chris Cornell, Eddie Vedder, Soundgarden, Pearl Jam and Temple of the Dog.

I don’t generally sing, but to this day when Temple of the Dog’s “Hunger Strike” comes on the radio, much to my daughters’ cringing, I am belting it out.

Cornell and Vedder are still on about every running playlist I have. But Cornell is integral.

We all get to those rough places in our emotional lives. When I was driving four to five hours a day back and forth to DC, in what came to feel like a soul-less grind, and my marriage was crumbling around me, it was Cornell, Tom Morello and Audioslave. Played so loud the windows and dashboard shook. It was the angst, the wail Morello’s guitar, the reach and pitch and emotion and questions in Cornell’s voice.

You gave me life
Now show me how to live.

Audioslave was and is catharsis, solace, energy. When I moved down Bailey’s Neck and got my feet back under me, and would run the wood-lined back roads, it was Audioslave time and time again.

Show me how to live.

In finding a job in Oxford at the community center and re-embracing a community that helped raise me, in moving back to town here, and running through town and up Oxford Rd.

Show me how to live.

The night Ava had her big seizure in Pennsylvania and was flown by helicopter to Children’s Hospital in Pittsburgh; as I buried the gas pedal driving through the night it was Cornell and company playing in the car to keep me awake and focused.

Show me how to live.

As we all returned home, and I was filled with gratitude for the outpouring of support and prayers from friends and family and strangers, and I found church and faith, and would shuffle a playlist on my runs, I could hear:

You gave me life
Now show me how to live.

In hearing and finding a calling and Christ Church and being in small groups and building a family and community of faith through our Alpha program, I hear the same words.

I’ve never met Chris Cornell. His death isn’t like losing a family member or close friend. There isn’t a hole in my life in that way. When David Bowie, Prince, or Lemmy died it was sad to lose great artists. But they weren’t a part of first team soundtrack of my life.

We come to know artists through their art. When we find those artists whose work resonates and enlarges our souls, we know it. We connect with them in ways that makes our own struggles and questions seem relevant for someone else; we feel less alone. Like together we tap into something bigger–in the best art we can feel connected; at times maybe we can hear God’s message for us.

In the end, I’m best leaving the words to Morello, who knew Cornell well. The poem Morello wrote to Cornell after his death is beautiful, moving, and open-hearted and minded. Go read the whole thing. But we’ll leave his last words here:

You’re the clear bell ringing, the mountains echo your song

Maybe no one has ever known you

You are twilight and star burn and shade