Tag: Academy for Lifelong Learning

The world we return to

Thankfully, life rarely comes down to desert island preferences. You know the scenarios: if you were stranded on a desert island and could only have five albums, or if you could only eat one kind of food, or if you had to watch one movie, and on and on. But they make for great conversation scenarios. You get to know someone by cutting through all the white noise and cocktail party chatter and learn something about what is important to that person. And those questions often circle back to things like music, food, books–things that open up something about what we love.

Here is one for me: if I could only read one genre of writing for the rest of my life, it would be poetry. I don’t have to think about it, I don’t need the Final Jeopardy music playing, I can say that instantly. Poetry fills my soul, speaks to my heart, and expands my mind in ways that no other kind of writing can.

This time last year, John Miller and I led a course through Chesapeake Forum: An Academy for Lifelong Learning, on how poetry connected us to and helped us understand what it is to be human. The class was held on Zoom, had close to 30 participants from multiple states including Georgia and Florida, and it was a fantastic experience, with insightful and searching questions and comments from those taking the class. I wrote about our time together in Tidewater Times Magazine.

When John and I thought about what poets to discuss for that class, we went with some of the well-known writers; it’s maybe a stretch to say that a poet other than Shakespeare can be a household name, but Milton, Blake, and Wordsworth are close. Talking about a class for this winter and what poets read and talk about, we had a different approach.

Poetry often seems to be the realm of old, dead white guys. What if for a follow up, we let people know that poetry is as meaningful, powerful, and relevant today, that poetry matters and has a much broader range of accomplished writers than those from the past. Let’s look at three living women of color who are carrying on the mantel.

Tracy K. Smith, Joy Harjo, and Rita Dove have won Pulitzer Prizes, National Book Awards, and just about any other recognition you can think of for their writing. And they have each served as Poet Laureates of the United States.

Smith’s book, “Life on Mars,” Harjo’s “Conflict Resolution for Holy Beings,” and Dove’s “Playlist for the Apocalypse,” have come out in 2011, 2015, and 2022: they are recent, relevant, and are evidence that these writers, these women, are wrestling with and trying to make sense out of life, experience, and so many of the alienating forces at work in the world. These are writers, and books, that belong on our bookshelves and in our hearts and minds as we try to walk through life doing the same.

Our class, “Poetry Matters!” will meet on Zoom, Thursdays January 26, February 2, and February 9, from 10:00 to 11:30am. If it sounds like something you are interested in, you can register by clicking on the link.

I go back to Robin Williams’ line from the movie Dead Poets Society frequently because I think it says it so powerfully:

“We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.”

Or maybe we give the floor to Tracy K. Smith, the first poet we will read and discuss in our class. “Life on Mars” is a book that took a hold of me from the first time I picked it up. Smith’s father was an engineer on the Hubble Telescope, which is something that comes out in her searching and brilliant poem, “My God, It’s Full of Stars.” You can read more about Smith and hear her read from that poem at the link.

Smith talks about why she loves poetry:


That’s a lofty but worthwhile goal. It’s part of the hope of a class like this: that the world we return to after reading and discussing Smith, Harjo, and Dove might seem fuller and more comprehensible as a result.

On Being Human

Loneliness hits us all. So do suffering, loss, and pain. Hopefully so do joy, wonder, and love. But it’s easy to feel like we’re on an island. And then something happens, when maybe just for a moment, we find a connection. Someone says something or we read something and it washes over us–someone else feels that way, or ‘yes, that’s it–that’s the feeling!’ or ‘I can’t believe someone else thinks that!’

So often it’s language that connects us. It gives words to our feelings, our thoughts, our pain, our joy, our curiosity. If you are like me, that’s a feeling I get from reading, and from some writers and poets more than others.

I knew what my first tattoo was going to be the first day we studied William Blake in Dr. Gillin’s British Romanticism class at Washington College. I was 24 years old and we were discussing Blake’s poem, “The Marriage of Heaven and Hell.” It’s a big, unwieldy, hard to get your head around, free form puzzle on first glance and I remember thinking that I didn’t know you could do that in poetry. This morning, looking over different sections of “Proverbs of Hell,” I got that awestruck feeling all over again. Here are some dropped in at random:

The road of excess leads to the palace of wisdom.

Eternity is in love with the productions of time.

If the fool would persist in his folly he would become wise.

Excess of sorrow laughs. Excess of joy weeps.

The bird a nest, the spider a web, man friendship.

What is now proved was once only imagined.

They are like hand grenades that go off in your mind. He changed what I thought you could do with writing. He spoke things that I hadn’t yet found words for. And now I carry around his engraving “The Ancient of Days” (at the top of the page) on my left shoulder. I remember Dr. Gillin talking about the art saying it was God creating order in the universe.

In that same class we encountered William Wordsworth. And he is a poet who wrote about connected to nature and wonder the way I felt and thought about them. I can’t tell you how many times I have read, quoted, and contemplated his poem “Lines Composed a Few Miles Above Tintern Abbey.”

This past fall I had coffee with friend and mentor John Miller. John has been a long-time instructor at Chesapeake Forum, dating back to when it began as “The Academy for Lifelong Learning” at the Chesapeake Bay Maritime Museum, where we worked together.

John and I have gotten together for coffee and to talk literature and life over the past couple years, including talking about the passing and great memories of our friend, former co-worker, and John’s co-leader in countless literature classes, John Ford.

As we sat outside along the street in September, John Miller had something on his mind. He started reading aloud from John Milton’s elegy “Lycidas,” in which Milton mourns the drowning of a friend, class mate, and fellow poet and wonders about his own mortality and if our struggle is all worth it.

And the thing we kept coming back to was the way language, the way poetry, can give voice to all the things we feel and think and encounter in this business of being human. The power of language to help us get our heads and hearts around being human.

And Blake and Wordsworth were two other poets who came up in the discussion. And we went back and forth over e-mail and phone calls and what we have coming up over three Zoom sessions on Thursdays, January 27, February 3 and 10, from 10:00 to 11:30am is Milton, Blake and Wordsworth: On Being Human.

This is not an academic study of poetry. This is a look at how poetry can give us the words to help us connect to each other; to help us make some kind of sense of what it is to live a life, to grieve, to see into the heart of things; to connect to God through nature.

I go back to a line that Robin Williams delivers as John Keating, the English teacher in Dead Poets Society:

“We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.”

I have held that notion to be exactly so and tried to live my life, at least in part, along those lines.

And that’s the spirit we will approach Milton, Blake and Wordsworth with, as we discuss what it is to be human, and how language and poetry can connect us.