The world we return to

Thankfully, life rarely comes down to desert island preferences. You know the scenarios: if you were stranded on a desert island and could only have five albums, or if you could only eat one kind of food, or if you had to watch one movie, and on and on. But they make for great conversation scenarios. You get to know someone by cutting through all the white noise and cocktail party chatter and learn something about what is important to that person. And those questions often circle back to things like music, food, books–things that open up something about what we love.

Here is one for me: if I could only read one genre of writing for the rest of my life, it would be poetry. I don’t have to think about it, I don’t need the Final Jeopardy music playing, I can say that instantly. Poetry fills my soul, speaks to my heart, and expands my mind in ways that no other kind of writing can.

This time last year, John Miller and I led a course through Chesapeake Forum: An Academy for Lifelong Learning, on how poetry connected us to and helped us understand what it is to be human. The class was held on Zoom, had close to 30 participants from multiple states including Georgia and Florida, and it was a fantastic experience, with insightful and searching questions and comments from those taking the class. I wrote about our time together in Tidewater Times Magazine.

When John and I thought about what poets to discuss for that class, we went with some of the well-known writers; it’s maybe a stretch to say that a poet other than Shakespeare can be a household name, but Milton, Blake, and Wordsworth are close. Talking about a class for this winter and what poets read and talk about, we had a different approach.

Poetry often seems to be the realm of old, dead white guys. What if for a follow up, we let people know that poetry is as meaningful, powerful, and relevant today, that poetry matters and has a much broader range of accomplished writers than those from the past. Let’s look at three living women of color who are carrying on the mantel.

Tracy K. Smith, Joy Harjo, and Rita Dove have won Pulitzer Prizes, National Book Awards, and just about any other recognition you can think of for their writing. And they have each served as Poet Laureates of the United States.

Smith’s book, “Life on Mars,” Harjo’s “Conflict Resolution for Holy Beings,” and Dove’s “Playlist for the Apocalypse,” have come out in 2011, 2015, and 2022: they are recent, relevant, and are evidence that these writers, these women, are wrestling with and trying to make sense out of life, experience, and so many of the alienating forces at work in the world. These are writers, and books, that belong on our bookshelves and in our hearts and minds as we try to walk through life doing the same.

Our class, “Poetry Matters!” will meet on Zoom, Thursdays January 26, February 2, and February 9, from 10:00 to 11:30am. If it sounds like something you are interested in, you can register by clicking on the link.

I go back to Robin Williams’ line from the movie Dead Poets Society frequently because I think it says it so powerfully:

“We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.”

Or maybe we give the floor to Tracy K. Smith, the first poet we will read and discuss in our class. “Life on Mars” is a book that took a hold of me from the first time I picked it up. Smith’s father was an engineer on the Hubble Telescope, which is something that comes out in her searching and brilliant poem, “My God, It’s Full of Stars.” You can read more about Smith and hear her read from that poem at the link.

Smith talks about why she loves poetry:


That’s a lofty but worthwhile goal. It’s part of the hope of a class like this: that the world we return to after reading and discussing Smith, Harjo, and Dove might seem fuller and more comprehensible as a result.