why I write | Michael Valliant

Quarantine All-stars

I’ve come to realize that living life in quarantine isn’t that much different than my daily life. Less nature than I would like, and my work schedule may actually be busier working from home, but on the whole I dig being at home. In the case of the Coronavirus and everyone being home, and teenage girls having to change their mindset; and just the general mental and emotional uneasiness of a global pandemic, there is something different afoot.

When we look back, everyone will have different things that buoyed them, or helped them re-acclimate, helped them connect. So I thought I’d look at some of my quarantine all-stars to date.

You can’t overstate the importance of music. I concur with Friedrich Nietzsche when he wrote, “Without music, life would be a mistake,” and Kurt Vonnegut who said his epitaph could say, “The only proof he needed for the existence of God was music.”

I am a fan of Nathaniel Rateliff and the Night Sweats. I’ve dug hearing them on 103.1 WRNR. Hearing the title track from his new solo album, “And It’s Still Alright” on the radio, I’ve always let it play. Then multiple people started weighing in with how good the whole album is. Rateliff started writing the album at the unraveling of his marriage and later had to get through the death of a close friend. From his website, talking about the album, and how he worked through what the album wanted to be:

“out of his restless subconscious, helping him address some big life questions — the ones that have stumped philosophers, statesmen and profound thinkers since time began, exploring the unsteady terrain of love and death. But in the end, what he really was doing was creating an homage to his friend.”

It’s an album about questions; it’s an album about getting through things; it’s an album with lines that stick in my head, such as, “If the world goes strange, its dying flames / Would light the end of the last morning.”

Questlove, live from his house, paying tribute to Bill Withers.

A different take on quarantine soundtrack has come from Questlove of the Roots. With the band staying home, Questlove has been holding DJ sessions from his house, raising money for different causes, and paying tribute to eras of music, with his Native Tongues Review, and to Bill Withers who just died, with Bill Still. I am telling you, if you want to put something on in your house and let it play for a couple hours, Native Tongues brings back an era of hip hop with A Tribe Called Quest, De La Soul, the Jungle Brothers, you name it, some formative bands, and just blending it altogether. And Bill Withers, man, the whole session is just smooth and flowing and feels good.

I’m used to Questlove being the drummer and front man for one of my favorite bands. He’s written books and been featured in great articles, and this social media scholar and DJ is just another aspect of a guy who carries the cool banner for this, and other eras.

From music to movies. I’ve watched Rian Johnson’s “Knives Out,” multiple times now. I didn’t catch it in the theaters, so one night I kicked back and pulled it up at home. And I knew I needed to check it out again. So a few nights ago, I pulled my daughters into the next screening. Both girls loved it, Anna (18) said it was the best movie she’d seen in a long time, and maybe one of her favorites. It’s a great whodunnit-typed movie; it’s got James Bond (Daniel Craig) and Captain America (Chris Evans), who play roles nothing like their famous characters; and as someone who likes to figure movies out, even when halfway through the movie you think you know everything, you don’t. Not even close.

Screens certainly dominate media these days. And I am psyched that “Cheers” is now on Netflix; “The Office” is a constant connection, time-filler, and connector between the girls and I, who quote it back and forth frequently; and I have them part-way through the series “Lost,” which was a favorite show of mine while it was on TV.

You know I have to finish with books. We have had substantial reading going with work–studies of John’s Gospel, which started last October, a quick devotional through Matthew’s Gospel for Lent, and looking for our next online classes–but in this case, I am looking at the just for fun reading.

On the graphic novel front, Kieron Gillen’s “Once and Future” plays King Arthur’s legend into our modern world, which is a trippy, mythical, re-imaging as a kind of ghost story. I ate Arthurian legend stuff up growing up (named our Golden Retriever “Morgan” after King Arthur’s sister when I was nine) and Gillen has become a writer who I try to read about everything I can from. Christian Ward is known as an artist, but is trying his hand at writing and in Machine Gun Wizards, he looks at Eliot Ness and prohibition, but if prohibition was outlawing magic, not booze. And what can I say about Neil Gaiman’s “Sandman,” which was cited as one of the 100 best books (not graphic novels, books) of the century. It bears reading and re-reading. And since a friend and I are currently taking Gaiman’s masterclass on storytelling, this seemed like a great time to dig back into the world of dream and open my imagination.

I’m 180-something pages into Emily St. John Mandel’s “Station Eleven,” which we will be doing an online/Zoom book club for in the very near future. I am having a lot of fun with it. It’s set after the collapse of civilization due to a global pandemic virus. This is one of the blurbs that pulled me in:

“An audacious, darkly glittering novel set in the eerie days of civilization’s collapse, Station Eleven tells the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity.”

A motto of one of the main characters is “Survival is insufficient.”

Sometimes when we enter new territory, it’s not novelty we need, but familiarity. We need something to ground us and help us get our footing. I’ve written a lot about Jim Harrison, who I consider one of the writers to have the biggest impact on me, both through his writing, his persona, and how he lived his life. And despite having written numerous great novels, novellas, and short stories, it’s often his poetry that I end up keeping nearby.

I was reminded recently of Harrison’s poem, “I believe.” He lists things he believes in, which include: steep drop-offs, empty swimming pools, the overgrown path to the lake, abandoned farmhouses, gravel roads that end, leaky wooden boats…”

You know what? I’ll let you read it for yourself, noting that the poem ends with “struggling to stay alive in a world that grinds them underfoot.” Let me just say that music, movies, books–these thinks aren’t just diversions that distract us from what’s going on in the world; instead, they are connection, connecting us to the artists, connecting us to something bigger than ourselves; connecting us to each other through music, art, and stories; and in the process of creation, connecting us to God.

One bloom might hold it all

The magnolia in the front yard is a ten-day tree. For maybe ten days at most, there is nothing like it; it’s in full blaze glory. Then it drops its bloom and doesn’t say much the rest of the year. But those ten days.

As our unplanned retreat/social distancing kicks in, we are in the middle of ten-day Magnolia time. It’s an excuse to sit on the bench under the tree, to walk around it, to put my head between blooms and breathe in. If I’m honest, I don’t need a virus to do this, it’s life everyday as long as I’m paying attention.

The sky is still dark, but the birds are noisy. It’s transition time, just before the sun changes the horizon’s color. Morning routine: coffee, prayer, reading, writing. Cat purring on the armrest against my left arm, dog curled up against my right thigh–demanding bookends with fur. As it warms, morning time will be on the deck or in the writing shed.

This early dark time matters. It frames the day with attention. It sets the tone before the day’s demands start. Lately, I’ve been thinking about writing, storytelling, the force of words that point to something words can’t really get to.

One of the books currently traveling with me–in the car, in waiting rooms, to work, the spare minutes picking the girls up from school.

In the preface to “The Field Guide to Writing Flash Nonfiction,” the Rose Metal Press folks point to Bernard Cooper’s notion that short nonfiction needs “an alertness to detail, a quickening of the senses, a focusing of the literary lens… until one has magnified some small aspect of what it means to be human.”

Mull that last phrase as you sit to pray, read, or write, “some small aspect of what it means to be human.”

Overshadowed by the Coronavirus these days, is Lent, a season where we look to pare away those things that distract us so that we can draw closer to God. When I spend time in the Bible, it’s the Gospels that sing. It’s not Paul’s letters, it’s Jesus’ stories. Christ tries to show us and tell us what it means to be human in a way we too often overlook.

“The kingdom of heaven is like a mustard seed that someone took and sowed in his field. It is the smallest of seeds, but when it has grown it is the greatest of shrubs and becomes a tree, so that the birds of the air come and make nests in its branches.”
Matthew 13:31-32

Ummm… thanks, Jesus. What the heck are we supposed to do with that? Even his followers want to know why he always talks in parables. And this is a parable told after the Parable of the Sower and after Jesus broke it down for them. It was part of our reading in N.T. Wright’s “Lent for Everyone,” on Saturday. Wright points out that, Jesus, “told parables because what he was doing was so different, so explosive, and so dangerous, that the only way he could talk about it was to use stories. They are earthly, and sometimes heavenly, stories with an emphatically earthly meaning. They explain the full meaning not of distant, timeless truths, but of what Jesus was up to then and there. This is what is going on, they say, if only you had eyes to see. Or, indeed, as Jesus frequently says, ears to hear… Jesus’ parables invite the hearer, to look at the world, and particularly at Jesus himself, in a whole new way.”

I am guilty of not catching anything the first time, or first several times, I hear it. It takes time for me to learn things, to let them sink in. I need seeds. I need seeds that take time to take root, take time to grow, but once they are there, they stick, and maybe they bloom in each of us uniquely, in ways that can only be made manifest in the exact way, with our particular eyes and ears.

Often my eyes and ears work against me. Words I’ve heard or used too many times or sights that have become ordinary and overlooked. We don’t see God if we don’t look, or take the time to make the connection. Maybe the more we connect, the more we awaken ourselves to His presence.

American Goldfinch, by Michael Brown. Macaulay Library at Cornell Lab of Ornithology.

Reading further in the Flash Field Guide, there is an essay by Lia Purpura called, “Augury.” She walks up on a dead Goldfinch hanging in a tree, caught up in fishing line. It’s jarring, disturbing, unexpected, confusing. It’s wrong for what is supposed to be there, how things are supposed to be.

Her description of this moment, this encounter is eerie and uncanny and beautiful all at once. In maybe a why moment for the experience, she latches onto, “It’s good to stand beneath a thing that takes words away. It’s good to be in a place where thought can’t form the usual way.”

Experiencing things that take words away, where thoughts can’t form the usual way.

I prefer my encounters to be with live Goldfinches, as I am sure Purpura does as well. But I appreciate her flash essay in the way it helps me to look at Goldfinches with new eyes. It helps me to look at writing with new eyes. Hopefully it helps me look at life with new eyes.

Life and death loom large. While I sit here, for the time I have, life looms larger. It’s part of the ten-day tree time. New birds, Goldfinches included, are appearing at the feeders, and at the edge of woods where I hike or trail run. Crisp, spring sunrises and sunsets are punctuated with cool, clear night skies full of stars. in the midst of it all, the magnolia makes a statement.

If I have eyes to see, one bloom might hold it all.

I hope my daughters figure out time travel

Empty parking lot off Idlewild Avenue. Parking curbs. Concrete. Asphalt. No people, so I pull out my time machine, step on, and the sound of polyurethane on pavement spins back decades. The sound, the vibration under foot, the feeling of cruising carelessly, for no reason except that it’s fun.

What are the things you do regardless of what anyone else thinks? Things you can’t wait to do, that bring you happiness, just by doing them.

Rolling up to a curb, I sit down with a pen, notebook, Mary Oliver’s “Thirst.” I look up.

“Clouds are not only vapor, but shape, mobility, silky sacks of nourishing rain. The pear orchard is not only profit, but a paradise of light. The luna moth, who lives but a few days, sometimes only a few hours, has a pale green wing whose rim is like a musical notation. Have you noticed?”

When Mary O. asks you a question, you do well to consider it. Do I take the time to notice what goes on around me? Really notice? There are everyday miracles, right here on Idlewild Avenue in an empty parking lot on a Sunday afternoon.

Those things that you do for you–how did you figure out what they were? And how long have you been doing them?

When I think back, some of the things I most love doing today, I started in my early teenage years: comic books, skateboarding, writing, reading, running, being on the water, just being outside. And it’s some form of those things that still fill me up a few decades later. Those things maybe as close to time travel as I will get. They connect me to past and future versions of myself. They mark a moment in time, but revisiting them, they create moments outside of time.

I don’t know if my daughters will figure out time travel. I hope they do. I hope they walk the same beaches (and new ones) over decades, and remember when their feet were smaller, their minds saw more colors, and there were fewer distractions. I hope they remember, connect, and see outside of time.

I land in the parking lot again. It’s not supposed to feel this warm in February. The day is a gift. I can hear life in the back yards of Aurora Street. If I get quiet enough I can hear the universe.

“He or she, who loves God, will look most deeply into His works.”
Mary Oliver

Maybe that’s it. We don’t need to stay at the surface. If we look deeper, we can lose ourselves. We find ourselves connected; to our past through memory; to our future through hope; to each other through God, who is Love.

Figuring out 18

Eighteen is a gut punch and a privilege. Anna is 18 today and it feels like time travel back to her birth as well as a look at my own white-bearded face in the mirror of mortality.

I don’t know what I thought life would look like when your oldest child turns 18, but I’m pretty sure whatever it was got derailed somewhere. There are sure a lot more tears, yelling, and questions than I thought there would be. Then again, I can attest to parenting karma being real, with fatherhood feeling both incredible and helpless at the same time.

We get pictures in our minds of what life will look like in the future and maybe how it’s supposed to look and feel now. When we want things for our children, they are often what we want versus what they might want at a given time.

Anna’s on her own timeline, with her own thoughts and feelings; I was (and am) the same way, so it shouldn’t surprise me. But letting that sink in goes against some of what we think we should be doing as parents.

If we’re lucky, we get to walk the road with our kids, we can’t walk it for them.

Over the past couple months, I’ve started to learn something experientially that has been a game-changer. Anna and I have had some deep conversations that made me stop and take stock. I was at a workshop recently where our group discussed, “moments of conversion:” those experiences that stop us, make us see differently, and change us. And that’s what listening to Anna gave me: I had to stop, realize I was completely missing things she was saying, and start from square one.

That being the case, we are still on the road of life and father-daughter relationship together. And reading James K.A. Smith’s “On the Road with St. Augustine,” I came across this line:

“Conversion doesn’t pluck you off the road, it just changes how you travel.”
James K.A. Smith

And I hope I can keep that up and make the most of it. Conversion is a day-to-day process and there is a lot of road still to travel. I have a lot to learn about 18 and beyond.

When Anna turned 16, I wrote her a letter of sorts. I wouldn’t change anything in it now, it all stands. But a couple years along, and maybe I see a few things. I am smitten by her gifts and her passions.

Anna is all about pets. She is the girl who disappears and turns up in anyone’s house with a cat or dog in her arms. And animals take to her (until she dresses them up). She’s looking to start volunteering at Talbot Humane this winter and I honestly wonder whether that might be the beginning of a calling of sorts. Dr. Doolitttle-in-training.

Kids are drawn to her. If it’s not animals, it wouldn’t surprise me to see her wrangling kids at a daycare or preschool. She is magnetic in a pied-piper kind of way and kids follow her. And it happens whenever she is around them.

When it comes to art and puzzles, Anna has a zen focus. I’ve never seen a teenager put together a 1,000 piece puzzle. Anna does them in an evening and can tune out whatever else is going on. She is the same way with coloring, doodling intricate patterns, or painting. They are things that brighten her days, and thereby brighten mine.

Anna is extroverted. This hit me like a rolled-up newspaper when she talked about it after a personality test in school. As an introvert raising a child similar to me in many ways, I just never thought about it, then hearing her say it, I looked back over her life with a giant “no duh” and it made sense. She recharges around people and looks for ways to be social.

She is fiercely protective of her sister. I know the older sibling protective thing, but this is something different. Anna has been with Ava step-by-step through month-long hospitalization, seizures, and her provoked epilepsy adventure. Anna frequently calls her mom or I out about making sure Ava is hydrated, not in the sun too long, and is getting enough sleep. This isn’t to say that teenage sisters don’t fight like wolverines (they do), but when push comes to punch, Anna hasn’t missed a neurology appoint, watches out for and over her sister, and worries about her constantly.

Anna feels deeply in a world where that can count against you. It’s a hard thing as a father to watch your child fall down, process, and struggle. It’s a wonderful thing when they get back up, learn, and try again or try something different. Anna has an empathetic heart (at times 🙂 where that isn’t frequently en vogue with teenagers. Sometimes it takes us a while to find our tribe and I know she’s working on hers.

If we’re lucky, we get to walk the road with our kids, we can’t walk it for them. We can’t speed them up and even if we point out rocky ground and potholes, strong-willed kids still find them on their own.

Anna has been my learning curve, my guinea pig as I try to figure out how to be a father. She has picked me up at times when I’ve failed and it’s been the biggest honor and adventure I’ve known to walk her road with her.

On her turning 18, I see next steps, new experiences, more tears and laughter, more dressed up pets, Starbucks runs, puzzles and artwork, and things even a Romper-Room magic looking glass can’t see coming. One of these days I might figure out how to be a parent. Until then, I’ll be happy when she smiles.

Mapmakers & Travelers

“I don’t know, maybe your experience differed from mine. For me, growing up as a human being on the planet Earth in the twenty-first century was a real kick in the teeth. Existentially speaking.” – Ernest Cline, “Ready Player One.”

Ernest Cline lured me in with Oingo Boingo, got me to sit down with Atari 2600, and handed out popcorn with 80’s pop culture references in spades. For the better part of two summers growing up, I had a boombox covered with skateboard grip-tape and anarchy symbols on my 13-foot Boston Whaler. The cassette tape that lived in the boombox was dubbed from vinyl records: on one side was Bob Marley “Exodus” and on the other was Oingo Boingo “Dead Man’s Party.”

I can’t tell you how many times we listened to that song. I can hear the music over the wail of the outboard motor with the boat planing. Cline conjured up the beginning of Dead Man’s Party and I was there.

Ready Player One’s main character Wade Watts is born into a crappy existence where virtual reality (the OASIS) is much more inviting and compelling than real life. And the more he learns about history and life in general, the further he is convinced that life is a raw deal.

“I started to figure out the ugly truth as soon as I began to explore the free OASIS libraries. The facts were right there waiting for me, hidden in old books written by people who weren’t afraid to be honest. Artists and scientists and philosophers and poets, many of them long dead. As I read the words they’d left behind, I finally began to get a grip on the situation. My situation. Our situation. What most people referred to as ‘the human condition.’ It was not good news.” – Ernest Cline, “Ready Player One”

Map of the world of Greyhawk. Yeah, definitely spent more than a normal amount of time pouring over, recreating, and drawing my own maps on graph paper.

Cline walks us through the interior minds of any of us who grew up immersed in pop culture and fantasy during the 1980s. And he also walks us through our current culture and the pull of virtual/screen reality over the world around us. He both maps it and travels the terrain. I’ve been mulling over a comment from Brene Brown in her book “Daring Greatly,” when she says:

“I have found that the most difficult and most rewarding challenge of my work is how to be both a mapmaker and a traveler.”
Brene Brown, Daring Greatly

I’ve been fascinated by maps for as long as I can recall, and it could have started with the map of Greyhawk above. But it’s not just the map itself–hiking through the White Mountains more than 10 years ago, and seeing where we were on the map, there was just something inherently cool about it. Maybe it’s a combination of knowledge and adventure, which multiply into some sort of lived truth. It’s also the idea of charting the intersection of imagination and culture, say in Cline’s case, which made reading feel like both a revelation and an adventure, and left my head spinning.

Neil Gaiman, taken by his wife Amanda Palmer

“Truth is not in what happens, but in what it tells us about who we are.” If you want to get inspired to read and fire up your imagination, go read Maria Popova’s piece on Neil Gaiman writing about what books do for the human experience.

In the mornings, when I read or pray, my mind, heart, and soul soar and dive and question and sit in awe and wonder. That’s part of being a traveler, making an interior journey. For me, there is then something in the act of trying to write down what I am seeing, feeling, wondering about; the act of writing becomes an act of mapmaking. I try to do the same thing when my mind wanders somewhere cool while running or whatever I am doing (hence always having a notebook and pen in my pockets).

Gaiman goes on to give his own take on things hidden in old books:

“Books are the way that we communicate with the dead. The way that we learn lessons from those who are no longer with us, that humanity has built on itself, progressed, made knowledge incremental rather than something that has to be relearned, over and over. There are tales that are older than most countries, tales that have long outlasted the cultures and the buildings in which they were first told.”

So many times it’s the old tales. When we study the Bible, I am always taken to these other places, God journeys, that almost always end up also describing something I am currently feeling, or a feeling I know. So the journeys become linked; the traveling is not alone.

Maybe the act of reading, the act of imagining, the act of praying, is also an act of connecting. It can be connecting with the past, connecting with the writer, connecting with God. But we are forming connections. We aren’t the first or the last to find or feel them. But in the same way that we benefit from what these cultures, writers, and artists have left behind–the maps they have given us–maybe we are compelled to chart out our travels, our journeys, so that we can leave them behind for others to do the same.

Maybe we can help make some better news for the human condition.

Pray with your feet in the ocean

The ocean overpowers words, on the page or spoken. The sunrise defies fancy language, or maybe any language, but that doesn’t stop us from trying.

Words come for prayer, words and emotions well up in gratitude; questions can come like waves, and maybe waves are answers in themselves.

In three days at the beach, there have been more brown pelicans and porpoises than in other years combined. The sounds at sunrise are the same color as my soul.

If prayer felt like sunlight…
if prayer felt like cool morning sand between our toes…
if prayer tasted like coffee or brought us into the present moment like cold ocean water up to our knees before 7:00 am,
I bet we’d do it more.

It does.

Nothing gold can stay

“Nature’s first green is gold, / Her hardest hue to hold.”

Robert Frost might have had a magnolia tree in his front yard. I’ve never seen anything like it. Over the past week, it’s been in different phases of bloom and I just go out and stand underneath it in complete awe. It will only last a week or two, but man, what a week.

“Her early leaf’s a flower; / But only for an hour.”

Spring is a time for rebirth, for taking root and for growth. But within that, there is also the notion that it doesn’t last, like the magnolia tree in bloom, so appreciate it while it’s here. Be present. Feel the growth. Take the moment.

W.S. Merwin in Hawaii at the Merwin Conservancy. Image from Stefan Schaefer.

W.S. Merwin, one of the brightest shining, most brilliant, and most venerable American poets died recently. I met him briefly in Washington, DC, after hearing him read. I’d made it a point to catch him after work when I worked in the city. He was one of the voices; one of the lives worth emulating, or using as a model to find your own.

In a great New Yorker article, Casey Cep writes about Merwin’s writing and his effort to preserve Hawaiian landscape, “The palm forest, like Merwin’s poetry, has become a kind of prophetic stance against contemporary life: bearing witness to individual, almost foolish acts of creativity while devastation abounds.” We do what we can in the time that we have.

Sometimes I can connect the dots, sometimes I lose the picture. My reading list of late has included large parts of Luke’s Gospel, Henri Nouwen’s “Return of the Prodigal Son,” and legendary and/or mind-bending graphic novels, including Brian Michael Bendis and Alex Maleev’s “Daredevil” run, Donny Cates’ “God Country,” and Jonathan Hickman’s “Fantastic Four.” I’ve never read Hickman, who is known for his epic story arcs for Marvel Comics. Marvel announced this past week that he is set to take over the X-Men this summer.

I’ve been thinking about the Faust/Faustus storyline a lot lately, where to gain unlimited knowledge, the seeker sells their soul to the devil. It has to deal with hubris, excessive pride, and pushing beyond the limits of where we should go. And Hickman plays that exact storyline out with Reed Richards in his Fantastic Four story. But when faced with the decision either come up with the answer to everything, to save the universe and feed his ego flashing his brilliance, or to be human, be with his family, Richards thinks back to the words of his father.

“All of my hopes and desires rest in you becoming what I am not. When you grow up, I expect more. Son, I expect better. I want you to be a better friend than I was. Be a better husband. Be a better father. Be a better man.”

Father-son, father-daughter messages hit me straight in the heart. And it makes me reflect on the prodigal son story, and how the father wants his sons to know his love, no matter what they’ve done. And that’s big.

For Lent this year, Fr. Bill Ortt at Christ Church Easton, has given out prayer stones during worship services. There are 11 different words and you choose without looking: love, peace, believe, remember, listen, forgive, hope, pray, heal, follow, grace. The idea is to use your word as a mantra during Lent. And to look up Scripture for your word that you connect with, and pray, reflect, and meditate on it for the season.

My stone is love. It’s not the one I expected or the one I would have picked. But it’s the one I needed. It’s what I need to remember and to focus on. I picked two verses.

John 13.34-35
I give you a new commandment, that you love one another. Just as I have loved you, you also should love one another. By this everyone will know that you are my disciples, if you have love for one another.’

And

Corinthians 13:4-8
Love is patient; love is kind; love is not envious or boastful or arrogant or rude. It does not insist on its own way; it is not irritable or resentful; it does not rejoice in wrongdoing, but rejoices in the truth. It bears all things, believes all things, hopes all things, endures all things.
Love never ends.

Those are big for me. Because it is easy for me to look past, to get too busy, to be in my head or deep in thought too often.

Finishing up Robert Frost’s poem:

Then leaf subsides to leaf. / So Eden sank to grief, / So dawn goes down to day. /  Nothing gold can stay.

Nothing gold can stay. And that’s true for spring. It’s true for knowledge and accomplishments. It’s true for the world. It’s true for almost everything we see around us.

But not for God. And not for love. “Love never ends.”

Dreams and Song

2019 is a blank page with a big box of Crayola crayons spread out around it. I dig the above photo that Caroline Phillips took on one of the last days of December, on assignment for Shore Monthly Magazine. It’s sunrise, with friends doing something we love, up and outside early that let us catch a crisp, clear morning to laugh, skate, and reconnect.

2019 is a year I don’t have a clue about in many ways. And part of that not knowing is that the past four-plus years have been foundation building.

Life has a way of pulling the rug out from under us when we get comfortable. I like to think that happens because we are getting comfortable in a way that is keeping us from where we need to be; where we could be going; what we could be doing. But that perspective likely only comes with some distance when we’re looking back.

When we get displaced, we try to get our footing–spiritually, mentally, and physically. We try to put our pieces back together in a meaningful way. We look for that place where we can breathe deeply and be ourselves. We look for somewhere we can build, and re-build our lives.

Over the past four years, I’ve lived in three different places and I’m in the first house where it feels like home, where the girls and I can be for a while, put some roots down and figure out where life goes as Anna gets closer to graduating high school and Ava finishes middle school.

The thing about building a foundation or putting down roots (choose your metaphor) is that that’s the beginning work, the base. For that to amount to anything, you’ve got to build something awesome, grow or bloom into something that no one else can–that’s what each of us has in us. And that’s what 2019 feels like it’s calling for–personally, professionally, physically, creatively–it’s time to stretch, to grow, to build, to do something more; something cool, fun, inspiring. The stuff the God puts each of us here to do.

Field guides, existing colors in the box of Crayolas that we get to color our lives with, to help show us what is possible, what’s been drawn, and what we can do.

Writing about Jorge Luis Borges, introducing Borges’ book, “Dreamtigers,” Miguel Enguidanos talks about dreams and song. That it is our capacity to dream and sing that “makes the world bearable, habitable; they make the dark places bright… Dreams and song. About the whole and the parts. About the universe and about each of its separate creatures.” And that “in spite of incompetence, stumblings, and disillusionment,” that our dreams, played out in the song we choose to sing with our lives can connect and resonate with others.

I guess that’s my hope for 2019. To feel our dreams and find and sing our song in new, surprising, inspiring, and wonder-filled ways. And in doing so, to help others do the same with theirs.

Via Contemplative Monk and Mystic Prayers

“I knew every raindrop by its name”

The unexpected voices stay in our heads. They speak lines, phrases, words, pictures that we didn’t see coming, but that we can’t forget. Denis Johnson planted a stop sign in my soul with, “I knew every raindrop by its name,” as I tried to get to know his heroin-addicted narrator in “Jesus’ Son,” a book of short stories, which has been called one of the best written in the last 50 years.

Johnson’s voice, his writing, was born from his experience with addiction. He was worried at first that sobriety would affect his creativity. But the distance, clear-headedness, and productivity of being clean let him more fully access his past and own his voice in a way only he could. My copy of “Jesus’ Son” (named from Lou Reed’s “Velvet Underground” lyric in the song “Heroin,”) is full of underlinings where Johnson knocked me off-guard, off-balance.

He died of liver cancer in 2017. The New York Times obituary gave Johnson his own take on his faith:

Mr. Johnson thought of himself as a Christian writer who wonders about the existence of God in a troubled world.
“I have a feeling God finds us pretty funny,” he told New York magazine. “But that’s all the speaking I should do for God–he doesn’t go around talking about me.”
Richard Sandomir, New York Times

I’ve been thinking about and trying to read distinctive, original voices lately, gravitating toward short stories. Johnson is one of the first people I thought of. Another is Barry Hannah. Hannah begins his landmark book “Airships” like this:

“When I am run down and flocked around by the world, I go down to Farte Cove off the Yazoo River and take my beer to the end of the pier where the old liars are still snapping and wheezing at one another.”
Barry Hannah, “Water Liars”

In an appreciation of his writing, author Richard Ford says that Hannah, “recasts the world in the way obviously great writing does… Barry’s voice was the one many of us hear when we speak candidly to ourselves–subversive, inventive, unpredictable, funnier than we can be in public.”

Recasting the world. That’s what great writing should do for us. Help us see differently or think differently about something, or maybe see something we haven’t seen. Fantastic stories, well told.

I’ve had Tom Robbins lines and phrases typed into my subconscious for 20-plus years now. He can take something as mundane as mockingbirds and cast a slanted light on them:

“Mockingbirds are the true artists of the bird kingdom. Which is to say, although they are born with a song of their own, an innate riff that happens to be one of the most versatile of all the ornithological expressions, mockingbirds aren’t content to merely play the hand that is dealt them. Like all artists, they are out to rearrange reality. Innovative, willful, daring, not bound by the rules to which others may blindly adhere, the mockingbird collects snatches of birdsong from this tree and that field, appropriates them, places them in new and unexpected contexts, recreates the world from the world.”
Tom Robbins, “Skinny Legs and All”

But for all our disparate voices, it is not enough to recreate the world from the world, but to try to add some meaning, some connection, something universal within the personal.

Stories connect us in ways that nothing else does. Jesus told stories so he could be sure we would remember them, re-tell them, and talk about them. Hemingway and Twain are household names because we connect with Huck Finn and the Old Man and the Sea. And when Johnson’s narrator says he knew every raindrop by its name, I am transported back to being a kid, looking up into summer rain with my arms stretched out to the sides, trying to count raindrops and see if one looks different from another.

Wonder and Welcome

“We need to view the world as to combine an idea of wonder and an idea of welcome. We need to be happy in this wonderland without once being merely comfortable.” – G.K. Chesterton, “Orthodoxy.”

Watching the sun break the horizon, change the whole color of the sky and the landscape; watching fog dancing on still sleeping water on the cove–that conveys the sense of wonder we can find any given morning.

Smiling at the sunrise, laughing like it’s an inside joke, or on a morning with others running, skateboarding, or paddleboarding, realizing what a gift those moments are to share–that feeling, that recognition, that is welcome.

Maybe it is our job, with the time we have, to find both wonder and welcome. Maybe it’s our job, with the time we have, to be grateful for both wonder and welcome. Maybe it’s our job, with the time we have, to convey both wonder and welcome to others.

Part of that is finding what moves us. Part of it is staying after it, stoking our fire, our passion–what makes us who we are–and doing something with it, not settling, and not just being comfortable.

For me, that starts with waking up, wrestling the dog, smiling. Putting coffee on, grabbing a notebook and pen, a book. Praying. Reading. Reflecting. Maybe it’s a running or skateboarding morning. Maybe it’s watching hummingbirds light on the feeders next to the window.

Wonder and welcome are up to me to find. They are up to me to recognize. They are up to me to be grateful for. And they are up to me to pass along.