Writing as reckoning

Jim Harrison writes like he is reckoning with life, death, love, God–you name it. He writes like his life is on the line, his soul is trying to come out through language–that’s how much is at stake.

His “Essential Poems” book frequently travels with me. This morning it was:

“The stillness of this earth
which we pass through
with the precise speed of our dreams.”

that washed over me, from Harrison’s poem, “Returning to Earth.”

“I Believe” is a manifesto of things in the world that he puts faith in.


Steep drop-offs, empty swimming pools, raw garlic, used tires, abandoned farmhouses, leaky wooden boats, turbulent rivers, the primrose growing out of a cow skull. What a list! These are things I know I believe in as I read his list because each thing comes powerfully to mind–smells, pictures, feelings. This is a list of beliefs that come from experience and hard-nosed reflection. Everything on it has passed the test.

Reading Harrison calls me to write things that absolutely have to be said–something relevant, something that is working on me and that has to come out or risk burning my soul, not an academic or intellectual game, not something that sounds nice or clever–something that comes out of an ongoing wrestling match or dance or conversation with the Spirit.

This a Mark year for the prescribed church readings–most of the Gospel readings this year come from Mark’s account of the good news. For Palm Sunday our in-person services did a dramatic reading of Mark’s account of the Passion (Last Supper, betrayal, arrest, crucifixion, death and burial–the suffering) of Jesus, with readers playing different parts. On our Zoom service, we divided up the reading between a few of us. Mark’s Gospel is the shortest of the four, the writer doesn’t add fluff or niceties, there is no birth narrative, no Christmas, and the account ends with women running bewildered from an empty tomb. Reading Mark’s Passion account, he doesn’t stop to answer questions, he leaves those up to us to ask, wrestle with, and answer.

I think the writer of Mark and Jim Harrison would get along. Both of them had stories they had to tell. Holy Week, the week leading up to Easter, is full of those kind of Jesus stories. It moves me more than any other week of the church calendar. This Friday evening, Good Friday, we will have a service built around the seven different last words/phrases attributed to Jesus in the different Gospel accounts of his death. Then someone will respond–something spoken, read, sung–hopefully pulling those in attendance into the story.

The Gospel writers chose to write down a story that was being told orally, for fear of losing it. They knew it was too big to risk letting it go. And each of them went about it a bit differently, each giving something of themselves and their reckoning with the good news and the Spirit.

When I read Harrison’s poetry, I know that what he is saying is vital to who he was. It conveys what he loved, what he struggled with, what he laughed at, what he cried over, and what lit up his sense of wonder; the curiosity that was in his bones. He was a rough outdoorsman who lived on a farm in Michigan near where he was born. He fished, he ate, he drank, he traveled–he lived.

I hope I can find the words, the pictures, the moments in my life where I connect to love, to wonder, to Creation, to God and to the story of God and humanity that is unfolding through all of us and transform and transmute it all through the right words.

I hope you find your own moments and experiences and transform them into your own art–whether dance, song, painting, poem, carving, or your life itself as a work of art. God is a creator and we, in God’s image, are also meant to create.

One of my favorite lines of writing comes from the beginning of a Harrison poem called “Tomorrow,” where he talks about being blindsided by a new kind of wonder, the kind we haven’t experienced before. He writes:

“I’m hoping to be astonished tomorrow
by I don’t know what”

The stars or the sunrise or sunset reflecting off the river; the smell and feeling of earned sweat; how excited your dog is when you walk in the door; a book you can’t put down or stop thinking about; the first sip of coffee or tea in the morning; jumping in the river, lake, or ocean when it’s colder than you expect; the memory of someone who shaped you; a conversation with someone you love when you don’t know what either of you will say next; an answered prayer; exploring somewhere you’ve never been; sacrificing something important for someone else–someone else sacrificing something important for you; knowing in your heart, soul, and bones that you are loved.

I’m hoping to be astonished tomorrow by I don’t. know. what. And I believe.

Some prayers

Dear God,

Some prayers move, they wander, they surf like a skateboard, they stop to look at birds or sit under a tree. Some prayers stop to pick up a six pack. Some prayers start while reading and writing next to the river and keep going sitting in a salon where my daughter is getting box braids in her hair to get ready for surgery on Monday.

U2’s “Still Haven’t Found What I’m Looking For” plays from the speakers, which makes me smile because a couple days ago Ava mentioned having that song on her playlist.

My prayer reads Brenda Miller’s “The Shape of Emptiness “ where a creative writing student whose mother had just died passes out Playdough to the class and has them squeeze it in their hands and then puts all their “hands” on a table at the front of the classroom. Miller says, “He made visible the air we never see.” And then:

“When he finishes reading he gathers our hands and gives them back to us one by one. We take them from him carefully so we can carry our emptiness into the day. We compare them, showing off the shape of our grasping. Curved like prayers. Like anger. Like love.”


God, maybe our prayers are like those hands, our grasping to fill emptiness, trying to bridge the distance between us. Sometimes that distance is wide and tough to cross. Other days we are sitting next to each other by the river smiling the same smile, thinking the same thoughts.

Lord, my prayer is written on my heart and it is for Ava on Monday and the next couple weeks, that all goes well and the surgeons and neurologists and medical team find what they need to know and that their knowledge brings hope.

Some prayers last for a couple days and have more silence in them than words. I know you appreciate the silence, Lord, because sometimes the world is too noisy. And silence speaks louder.

My prayer, God, is about love and right now love is sitting in a salon and being so full that words either pour out or nothing will come. Right now, love looks like box braids and someone taking the time and care to help my daughter so she doesn’t have to have her head shaved.


Some prayers take weeks, months, years. Some prayers run out of ink as I write them, run out of words as I speak them, and take an entire life to say what I need to say and listen for what I need to hear.

Some prayers are to be continued. Just like our love. Just like your love. And all of them are written on our hearts and with our lives, which belong to you.

Amen.

Sitting by the river

Solitude is a gift.

Silence is a gift.

Sunlight is a gift.

Sitting by the river with a strong breeze moving the water and blowing against one side of my face while the sun warms the other.

I woke up in a warm house, while it was still dark and made coffee. Made a to-go breakfast for my older daughter for her drive to work. I laughed with my younger daughter taking her to school.

Now I am sitting in the sun and the wind by the water praying, reading, writing, listening, smiling.

Behind me is a cemetery where my grandparents, family members, and friends rest peacefully. Memories and love dance between us and connect us.

The books in front of me are titled “Pilgrim” and “Gold.”

Talking to God, Rumi writes:

“Today you arrived beaming with laughter–
that swinging key that unlocks prison doors.

You are hope’s beating heart.
You are a doorway to the sun.
You are the one I seek and the one who seeks me.
Beginning and end.

You greet need with generous hands.
You flood us with spirit,

ringing from the heart,
lifting thought.”

Reading this, he and I say it together. I like to think God smiles in the sunlight.

Across the cove the sun and the wind dress a weeping willow tree. Geese float tucked away from the tide.

When I am fully here, in this moment, with a full heart and an open mind, and time alone with God, what more can I ask for? I am not alone.

Thank you for this view.
Thank you for this day.
Thank you for this life.
Thank you for your love.

Amen.

* My practice/devotion for Lent this year is to write a “proem” (prayer-poem-prose) in the spirit of Brian Doyle each day of the season. I will share some of them. This is day #3.

Thank you for things that grow

Creator God, thank you for things that grow and change and bloom in their own time.

Thank you for patience so that we can wait with hope on your timing.

Thank you for giving us grateful hearts so that we can appreciate the impermanence, the fleeting moments–nothing remains in bloom and that makes each opening, each unfolding, each blossom special.

Thank you for making us able to grow, able to change, able to seek you, to seek beauty. Thank you for making us new creations in response to the shining of your light, your truth.

God, we thank you for helping us let go when it is time. Lord, I am not always good at this. Letting go hurts. I want to hold on to the blossoms, hold on to the people, hold on to the perfect moments–I want to stay in those wonderful experiences, found and lost in time, captured and forgotten in memory. Like Peter, I want to build dwellings to stay right there.

All around us, you show us that’s not how it works. You show us in your creation that everything has its time, its season. You show us the petals, the leaves dropping off, falling to the ground, coming apart, and going back into the dirt, back to dust.

“Remember that you are dust and to dust you shall return.”

From dust to dust.
From dust to seed.
From seed to sprout.
From sprout to bud.
From bud to flower.

Thank you for the dust we are and the blossoms we can become.

Thank you for your love that helps us grow and bloom.

Thank you for things that grow and change and bloom in their own time.

In your time.

Thank you.

* My practice/devotion for Lent this year is to write a “proem” (prayer-poem-prose) in the spirit of Brian Doyle each day of the season. I will share some of them. This quick prayer on Ash Wednesday is the first.

The world we return to

Thankfully, life rarely comes down to desert island preferences. You know the scenarios: if you were stranded on a desert island and could only have five albums, or if you could only eat one kind of food, or if you had to watch one movie, and on and on. But they make for great conversation scenarios. You get to know someone by cutting through all the white noise and cocktail party chatter and learn something about what is important to that person. And those questions often circle back to things like music, food, books–things that open up something about what we love.

Here is one for me: if I could only read one genre of writing for the rest of my life, it would be poetry. I don’t have to think about it, I don’t need the Final Jeopardy music playing, I can say that instantly. Poetry fills my soul, speaks to my heart, and expands my mind in ways that no other kind of writing can.

This time last year, John Miller and I led a course through Chesapeake Forum: An Academy for Lifelong Learning, on how poetry connected us to and helped us understand what it is to be human. The class was held on Zoom, had close to 30 participants from multiple states including Georgia and Florida, and it was a fantastic experience, with insightful and searching questions and comments from those taking the class. I wrote about our time together in Tidewater Times Magazine.

When John and I thought about what poets to discuss for that class, we went with some of the well-known writers; it’s maybe a stretch to say that a poet other than Shakespeare can be a household name, but Milton, Blake, and Wordsworth are close. Talking about a class for this winter and what poets read and talk about, we had a different approach.

Poetry often seems to be the realm of old, dead white guys. What if for a follow up, we let people know that poetry is as meaningful, powerful, and relevant today, that poetry matters and has a much broader range of accomplished writers than those from the past. Let’s look at three living women of color who are carrying on the mantel.

Tracy K. Smith, Joy Harjo, and Rita Dove have won Pulitzer Prizes, National Book Awards, and just about any other recognition you can think of for their writing. And they have each served as Poet Laureates of the United States.

(From Top: Rita Dove, Tracy K. Smith, and Joy Harjo)

Smith’s book, “Life on Mars,” Harjo’s “Conflict Resolution for Holy Beings,” and Dove’s “Playlist for the Apocalypse,” have come out in 2011, 2015, and 2022: they are recent, relevant, and are evidence that these writers, these women, are wrestling with and trying to make sense out of life, experience, and so many of the alienating forces at work in the world. These are writers, and books, that belong on our bookshelves and in our hearts and minds as we try to walk through life doing the same.

Our class, “Poetry Matters!” will meet on Zoom, Thursdays January 26, February 2, and February 9, from 10:00 to 11:30am. If it sounds like something you are interested in, you can register by clicking on the link.

I go back to Robin Williams’ line from the movie Dead Poets Society frequently because I think it says it so powerfully:

“We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.”

Or maybe we give the floor to Tracy K. Smith, the first poet we will read and discuss in our class. “Life on Mars” is a book that took a hold of me from the first time I picked it up. Smith’s father was an engineer on the Hubble Telescope, which is something that comes out in her searching and brilliant poem, “My God, It’s Full of Stars.” You can read more about Smith and hear her read from that poem at the link.

Smith talks about why she loves poetry:


That’s a lofty but worthwhile goal. It’s part of the hope of a class like this: that the world we return to after reading and discussing Smith, Harjo, and Dove might seem fuller and more comprehensible as a result.

Do unto others

The world can break our heart every single day. We can wake up grateful and things beyond our control can devastate us and leave us asking questions and feeling shattered.

The world can also show us love, connection, friendship, laughter, warmth, and spark our sense of wonder.

For all the times we don’t get to choose what happens, how do we make the most of the time that we have? How do we cultivate and appreciate moments? How can we lean into connection rather than withdraw into isolation?

As the sun comes up through the trees, I have coffee in my mug. I have a dog next to me who wonders what we’ll do today and for whom whatever the day brings is enough. I have books at my elbow that inspire and provoke me. I have pen and paper to help me record and communicate life from where I sit.

There are birds coming and going at the backyard feeders—Woodpeckers, Tufted Titmice, Chickadees, Wrens.

Whatever the day brings is enough. Because that is what will be. And at the same time, there are days when we get to decide something of what the day will be.

Jesus tells us, at the end of the Sermon on the Plain in Luke’s Gospel, “Do to others as you would have them do to you.” (Luke 6:31)

If we want to spread joy that will last, let’s think first about the heartbreaking days that crush us. What if on those days, someone reaches out to you; someone checks in on you; someone lets you know you are not alone—that you matter.

Let’s say that is how we want to be treated. What is stopping us from treating other people that way—today, now. If you have anyone in your life who you are thankful for, or concerned about, or who is on your heart or your mind, reach out. Say hello, say thank you, say I am thinking of you, say I appreciate you, say I love you.

Not because you will get something back, but because it is how you want to be treated. Because that is a gift that we can each give. And when we are more concerned with giving than with getting, we find we need less.

Maybe that is the beginning of gratitude.

Falling Forward

Fall is a time of change, a time of incredible colors, crisp air, clear skies, and fire-pit warmth. My bones know when fall hits. It’s also always been a time of renewal, energy, and new beginnings.

This year, fall is the beginning of year two of seminary through Iona Eastern Shore for seven of us aspirants and postulants. Our studies this year are focused on the history of the Christianity (what happened between the Acts of the Apostles and today) and heavily on homiletics–preaching. I’m especially appreciating lectures, essays, and books by Tom Long, who makes me think that preaching is something that can be taught, even to those of us to whom it doesn’t come naturally.

To borrow a few aspirational sentences from Long’s book “The Witness of Preaching”–

“To have our own lives, our own work, our own words, our own struggles and fears gathered up in some way into that event (preaching) is an occasion of rich and joyful grace… To be a preacher is to be a midwife of the word… we do not establish the time of its arriving; we cannot eliminate the labor pains that surround it; but we serve with gratitude at its coming and exclaim with joy at its birth.”

And:

“Faithful preaching requires such gifts as sensitivity to human need, a discerning eye for the connections between faith and life, an ear attuned to hearing the voice of Scripture, compassion, a growing personal faith, and the courage to tell the truth.”

I have such a long way to go, but I am inspired and encouraged and am becoming a student of the art and event of preaching.

I’ve also been helped along the way this fall by a discernment group who have gathered multiple times to help me discern, distill, and clarify my calling as part of the canonical process toward ordination. The way is each and every step and I am grateful beyond words for the questions, love, and encouragement from these friends.

Small Groups

At Christ Church Easton, new small groups are gathering to wrestle with Paul’s Letter to the Romans; a group of men are two weeks into discussing Richard Rohr’s “From Wild Man to Wise Man”; and we’re looking forward to our next newcomers class, where Brenda Wood and I will help orient folks to the ministries and work of our church, while looking at how baptism, Bible study, Communion, and prayer help define our faith in Rowan Williams’ book “Being Christian.”

Romans has given me a particular focus and opportunity for the fall/winter. In the same way that I wrote each week about our small group study of John O’Donohue’s book “Anam Cara,” I’ll be writing about Romans–thoughts from different scholars, snippets from our group discussions, and I am hoping to do some video segments and interviews with folks talking Romans.

I think for many church-goers, Paul’s Letter to the Romans is something experienced piecemeal, here and there, in lectionary readings. People know it’s a big deal, but they never take the time to read it and reckon with it. And that’s understandable–it’s daunting! But it’s also beautiful and potentially transformative. I love this thought by Rev. Jay Sidebotham, in “Conversations with Scripture: Romans,” when he says:

“The expression of trust in God’s grace, a theme of the Letter to the Romans, has the power to change individual lives. It also has the power to change communities, which is why it matters that we enter into this conversation. Such a conversation does not mean that we will like or understand everything in the letter… In the spirit of conversation, a word that suggests companionship on the journey, we hope that faithful attention to this ancient letter may open the door for new insights into the expansiveness of the grace of God.”

Romans has a history of changing lives and communities. Would that our studies might increase our trust in God’s grace.

To Live Prayerfully

Last weekend, Fr. Bill Ortt preached on Luke 18:1-8, the Parable of the Widow and the Unjust Judge. The text starts out by saying, “Jesus told his disciples a parable about their need to pray always and not to lose hope.” This is advice you give people who are going through tough times; people who might reach a point in their lives and their faith where they want to give up.

If we are going to be people for God, who is love, and so people for love, we need to lean in, not give up. We need to live prayerfully. Prayer is not simply asking for things–prayer is our connection to God. Prayer requires listening as much, if not more than talking.

That’s part of the reason why we use Rowan Williams’ book “Being Christian” in our newcomer class. It ends with prayer. And Williams describes three things that are essential for prayer:

  1. First, and most importantly, prayer is God’s work in us… It is the opening of our minds and hearts to the Father…
  2. Second, there is the deep connection… between praying and living justly in the world… Prayer is the life of Jesus coming alive in you, so it is hardly surprising if it is absolutely bound up with a certain way of being human which is about reconciliation, mercy, and freely extending the welcome and the love of God to others.
  3. Third, prayer from our point of view is about fidelity, faithfulness, sticking to it… Just stay there and if in doubt say, ‘O God, make speed to save me.’ Prayer is your promise and pledge to be there for the God who is there for you.

To live a prayerful life is to open our hearts, minds, and lives to God. It’s about praying and living in a way that shows reconciliation, mercy, welcome, and love. And it’s about sticking with it.

It’s a lot to take in. It’s a lot to try. We won’t always get it right. We will stumble and fall. And none of us can do it alone. But with God’s help, and with each other, we can get back up, try again, and keep forward on the way.

I come back to the Thomas Merton Prayer regularly. We prayed it together at the first meeting of our discernment group. And it feels like a good time to offer it here:

On Being Human

Loneliness hits us all. So do suffering, loss, and pain. Hopefully so do joy, wonder, and love. But it’s easy to feel like we’re on an island. And then something happens, when maybe just for a moment, we find a connection. Someone says something or we read something and it washes over us–someone else feels that way, or ‘yes, that’s it–that’s the feeling!’ or ‘I can’t believe someone else thinks that!’

So often it’s language that connects us. It gives words to our feelings, our thoughts, our pain, our joy, our curiosity. If you are like me, that’s a feeling I get from reading, and from some writers and poets more than others.

I knew what my first tattoo was going to be the first day we studied William Blake in Dr. Gillin’s British Romanticism class at Washington College. I was 24 years old and we were discussing Blake’s poem, “The Marriage of Heaven and Hell.” It’s a big, unwieldy, hard to get your head around, free form puzzle on first glance and I remember thinking that I didn’t know you could do that in poetry. This morning, looking over different sections of “Proverbs of Hell,” I got that awestruck feeling all over again. Here are some dropped in at random:

The road of excess leads to the palace of wisdom.

Eternity is in love with the productions of time.

If the fool would persist in his folly he would become wise.

Excess of sorrow laughs. Excess of joy weeps.

The bird a nest, the spider a web, man friendship.

What is now proved was once only imagined.

They are like hand grenades that go off in your mind. He changed what I thought you could do with writing. He spoke things that I hadn’t yet found words for. And now I carry around his engraving “The Ancient of Days” (at the top of the page) on my left shoulder. I remember Dr. Gillin talking about the art saying it was God creating order in the universe.

In that same class we encountered William Wordsworth. And he is a poet who wrote about connected to nature and wonder the way I felt and thought about them. I can’t tell you how many times I have read, quoted, and contemplated his poem “Lines Composed a Few Miles Above Tintern Abbey.”

This past fall I had coffee with friend and mentor John Miller. John has been a long-time instructor at Chesapeake Forum, dating back to when it began as “The Academy for Lifelong Learning” at the Chesapeake Bay Maritime Museum, where we worked together.

John and I have gotten together for coffee and to talk literature and life over the past couple years, including talking about the passing and great memories of our friend, former co-worker, and John’s co-leader in countless literature classes, John Ford.

As we sat outside along the street in September, John Miller had something on his mind. He started reading aloud from John Milton’s elegy “Lycidas,” in which Milton mourns the drowning of a friend, class mate, and fellow poet and wonders about his own mortality and if our struggle is all worth it.

And the thing we kept coming back to was the way language, the way poetry, can give voice to all the things we feel and think and encounter in this business of being human. The power of language to help us get our heads and hearts around being human.

And Blake and Wordsworth were two other poets who came up in the discussion. And we went back and forth over e-mail and phone calls and what we have coming up over three Zoom sessions on Thursdays, January 27, February 3 and 10, from 10:00 to 11:30am is Milton, Blake and Wordsworth: On Being Human.

This is not an academic study of poetry. This is a look at how poetry can give us the words to help us connect to each other; to help us make some kind of sense of what it is to live a life, to grieve, to see into the heart of things; to connect to God through nature.

I go back to a line that Robin Williams delivers as John Keating, the English teacher in Dead Poets Society:

“We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.”

I have held that notion to be exactly so and tried to live my life, at least in part, along those lines.

And that’s the spirit we will approach Milton, Blake and Wordsworth with, as we discuss what it is to be human, and how language and poetry can connect us.

Drawn in Crayon

“Things in life never come full circle. Maybe once or twice they’re hexagonal, but to me, they are almost always misshapen, as if drawn by a toddler in crayon.”

Adam Horovitz (Ad-Rock)

That’s how Ad-Rock of Beastie Boys fame described the feeling of looking back on Bonnarroo music festival, where the group was headlining, and not knowing it would be the last show they would ever perform together, before to Adam Yauch (MCA) died.

That hits hard. I paused the documentary to write it down, such a profound way to look at things. Misshapen, drawn by a toddler in crayon. And there is sadness in that, but there is also hope. I want to hold on to the fun, spontaneity, and fresh/beginner’s perspective that comes with drawing in crayon.

Our lives are built from the past. That’s what’s gotten us to where we are. Not just our past, but further back. The picture above is one of my all-time favorite photos. It is my grandfather, my Dad’s father, sitting in what was his father’s oyster shucking/packing/canning house. It’s about 1905 in Oxford, in what is now Oxford Marina & Boatyard; growing up for us it was Mears Marina. Where he is looking at is now the restaurant Capsize. I am looking at the framed black and white photo on my desk as I write.

I think of the things he saw in his 95 years; how his lifetime included the birth of my father, out of whose life I came into the world. So in a real sense, this moment I am having, sitting here typing and thinking about my grandfather, is built out of, is contained in a future state, in that photo. And that world is so different from the one we are living in now. And if you tried to connect the dots from that moment to this, it would look a whole lot like a child drawing in crayon.

Life should be drawn in crayon. It shouldn’t be angular, or too detailed, or a map from which there is no deviating. I like thinking about the enthusiasm and creativity that is in the eyes, mind, and hands of a child sitting down to a blank piece of paper. What if we could bring that to each day?

An old friend and I were writing back and forth about “Beastie Boys Story.” I said they are the soundtrack of our lives. A place it took him:

“Takes me to another place and time for sure. Lots of great memories of a time that can never be again- but I’m glad I got to live it.”

And I know he’s right. The same way that the life my grandfather lived can’t be had in the same way in today’s world, the things we did, the experiences we had in our earliest years of albums coming out and being played over and over, that is a time and era that our kids don’t get these days. Especially these days of quarantine. “Licensed to Ill” came out when I was a freshman, like my daughter Ava is now. By the time I was a senior, like Anna, “Paul’s Boutique” was the most played album in our cars and sung regularly at parties.

But then I also think about how music can still be a part of the new memories going on–further along the crayon arc. I think of Ava in her car seat in the backseat of my truck on the way to daycare asking to listen to the Beastie Boys “Grass Monkey” (I will wait on my parent of the year award)–I think of the song “Intergalactic” constantly playing in the Latitude 38 kitchen when I worked there; I think of newer albums and the song “Make Some Noise” (if you’re living) was an anthem for us in 2011. And about how all their albums are still in constant rotation on my playlist. And I love how thinking and remembering the band and their impact on my life even got to be a part of my writing, and how old lyrics still make sense in new ways to me today.

But there’s more. Adam Horowitz, talking about Yauch/MCA, says he was “a living contradiction of people’s ideas of how or what you are supposed to be or do.” They talk about how they were able to spend most of their lives to this point creating art, hanging out, and having fun as a group of best friends. They talk about how Yauch was the driver in learning new things, taking new adventures, growing and outgrowing old ways of being and thinking. And I wonder, what can we take from that? What can I learn from their example? How can we/I be those people who keep pushing boundaries?

I think about the number of times I have laughed at lyrics, or laughed watching the documentary, and how much we need humor in our lives, both day to day, but also a sense of the cosmic scale/sense of humor. And I love the idea that MCA was “drawn to the Dalai Lama because he was a funny dude.” And it makes me smile and remember that humor is so important in our spiritual lives.

What if watching a documentary about your favorite band and the life they’ve lived further inspires us to spend time and go on adventures with our friends–actual physical adventures, but also spiritual adventures, or literary/creative/musical adventures, depending on what form your creativity takes?

We can get nudged by life, by God, in different ways, if we are paying attention. And during a time when we are largely at home and isolated, our nudge can come in the form of documentary movies, from music, from books, from connecting with friends in new ways. Our nudge can help us to have new eyes to look at the things around us.

When we look forward, we don’t know what those special, transcendent moments are going to be or when they will happen. I like to think that each of us has so many more of those moments ahead, not just behind us as memories.

Looking back at the moment of my grandfather sitting among oyster shells captured in a photograph taken more than 100 years ago, and all the possible moments contained in it, that became real moments in his life, my dad’s life, my life, my daughters’ life–I wonder what those captured moments, what photographs or objects, or stories that are taking place now, are going to be those things passed down and talked about and laughed over 100 years from now?

And I can’t know that. But if I had to guess, when you draw a line and connect those dots and moments and stories, it will look “misshapen, as if drawn by a toddler.” And I hope they are using crayon.

One bloom might hold it all

The magnolia in the front yard is a ten-day tree. For maybe ten days at most, there is nothing like it; it’s in full blaze glory. Then it drops its bloom and doesn’t say much the rest of the year. But those ten days.

As our unplanned retreat/social distancing kicks in, we are in the middle of ten-day Magnolia time. It’s an excuse to sit on the bench under the tree, to walk around it, to put my head between blooms and breathe in. If I’m honest, I don’t need a virus to do this, it’s life everyday as long as I’m paying attention.

The sky is still dark, but the birds are noisy. It’s transition time, just before the sun changes the horizon’s color. Morning routine: coffee, prayer, reading, writing. Cat purring on the armrest against my left arm, dog curled up against my right thigh–demanding bookends with fur. As it warms, morning time will be on the deck or in the writing shed.

This early dark time matters. It frames the day with attention. It sets the tone before the day’s demands start. Lately, I’ve been thinking about writing, storytelling, the force of words that point to something words can’t really get to.

One of the books currently traveling with me–in the car, in waiting rooms, to work, the spare minutes picking the girls up from school.

In the preface to “The Field Guide to Writing Flash Nonfiction,” the Rose Metal Press folks point to Bernard Cooper’s notion that short nonfiction needs “an alertness to detail, a quickening of the senses, a focusing of the literary lens… until one has magnified some small aspect of what it means to be human.”

Mull that last phrase as you sit to pray, read, or write, “some small aspect of what it means to be human.”

Overshadowed by the Coronavirus these days, is Lent, a season where we look to pare away those things that distract us so that we can draw closer to God. When I spend time in the Bible, it’s the Gospels that sing. It’s not Paul’s letters, it’s Jesus’ stories. Christ tries to show us and tell us what it means to be human in a way we too often overlook.

“The kingdom of heaven is like a mustard seed that someone took and sowed in his field. It is the smallest of seeds, but when it has grown it is the greatest of shrubs and becomes a tree, so that the birds of the air come and make nests in its branches.”

Matthew 13:31-32

Ummm… thanks, Jesus. What the heck are we supposed to do with that? Even his followers want to know why he always talks in parables. And this is a parable told after the Parable of the Sower and after Jesus broke it down for them. It was part of our reading in N.T. Wright’s “Lent for Everyone,” on Saturday. Wright points out that, Jesus, “told parables because what he was doing was so different, so explosive, and so dangerous, that the only way he could talk about it was to use stories. They are earthly, and sometimes heavenly, stories with an emphatically earthly meaning. They explain the full meaning not of distant, timeless truths, but of what Jesus was up to then and there. This is what is going on, they say, if only you had eyes to see. Or, indeed, as Jesus frequently says, ears to hear… Jesus’ parables invite the hearer, to look at the world, and particularly at Jesus himself, in a whole new way.”

I am guilty of not catching anything the first time, or first several times, I hear it. It takes time for me to learn things, to let them sink in. I need seeds. I need seeds that take time to take root, take time to grow, but once they are there, they stick, and maybe they bloom in each of us uniquely, in ways that can only be made manifest in the exact way, with our particular eyes and ears.

Often my eyes and ears work against me. Words I’ve heard or used too many times or sights that have become ordinary and overlooked. We don’t see God if we don’t look, or take the time to make the connection. Maybe the more we connect, the more we awaken ourselves to His presence.

American Goldfinch, by Michael Brown. Macaulay Library at Cornell Lab of Ornithology.

Reading further in the Flash Field Guide, there is an essay by Lia Purpura called, “Augury.” She walks up on a dead Goldfinch hanging in a tree, caught up in fishing line. It’s jarring, disturbing, unexpected, confusing. It’s wrong for what is supposed to be there, how things are supposed to be.

Her description of this moment, this encounter is eerie and uncanny and beautiful all at once. In maybe a why moment for the experience, she latches onto, “It’s good to stand beneath a thing that takes words away. It’s good to be in a place where thought can’t form the usual way.”

Experiencing things that take words away, where thoughts can’t form the usual way.

I prefer my encounters to be with live Goldfinches, as I am sure Purpura does as well. But I appreciate her flash essay in the way it helps me to look at Goldfinches with new eyes. It helps me to look at writing with new eyes. Hopefully it helps me look at life with new eyes.

Life and death loom large. While I sit here, for the time I have, life looms larger. It’s part of the ten-day tree time. New birds, Goldfinches included, are appearing at the feeders, and at the edge of woods where I hike or trail run. Crisp, spring sunrises and sunsets are punctuated with cool, clear night skies full of stars. in the midst of it all, the magnolia makes a statement.

If I have eyes to see, one bloom might hold it all.